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IZLOŽBE / EXHIBITION Izbor iz zbirke slikarstva MSU Vojvodine / Selection of the MSU Vojvodina collection I zložba „Vreme jede pogled – Izbor iz zbirke slikarstva Muzeja savremene umetnosti Vojvodine“ biće otvorena za posetioce ovog muzeja do 31. oktobra. Izložbom je obuhvaćeno više od 100 radova 60 umetnika i umetnica, među kojima su Ilija Baši- čević Bosilj, Mira Brtka, Petar Lubarda i mnogi drugi. Izložba „Vreme jede pogled – Izbor iz zbirke slikarstva Mu- zeja savremene umetnosti Vojvodine“ najavljuje seriju izložbi kojima će u 2026. godini publici biti predstavljene bogate zbir- ke radova u vlasništvu MSUV, u okviru obeležavanja 60 godina od osnivanja Muzeja. Izložba obuhvata preko stotinu radova koji datiraju od četr- desetih godina prošlog veka do danas i dominantno predstavlja dela vojvođanskih autora, izvedenih u raznovrsnim medijima i stilovima, od ulja na platnu do slikarskih objekata. Izložba pra- ti i prikazuje tokove unutar zbirke, pri čemu su najzastupljeniji radovi iz 60-ih, 70-ih i 80-ih godina prošlog veka, ali uključuje i dela iz 90-ih i ranih 2000-ih.
U Muzeju savremene umetnosti izložena su dela Dra- gana Jelenkovića, istaknutog savremenog umetni- ka čiji rad decenijama istražuje granice između sli- ke, objekata i prostora. Izložba pod nazivom „Aritmologija oblika“ otvorena je u Galeriji-legatu Milice Zorić i Rodolju- ba Čolakovića, sve do 3. novembra. Dragan Jelenković pripada generaciji umetnika koji su razvijali značajne promene u likovnim i semantičkim proši- renjima medija skulpture, započete tokom osamdesetih go- dina 20. veka, usložnjavajući sliku stilski heterogenih i izra- zito individualizovanih skulptorskih poetika. Na izložbi će biti predstavljen izbor radova iz umetnikovog višedecenij- skog opusa, ali i najnovija produkcija u kojoj Jelenković te- matizuje i istražuje fenomen redefinisanja forme u kontek- stu aktuelnog globalnog trenutka, uključujući nove načine komunikacije, odnos prema prirodi, diktat obilja informa- cija i preimućstvo digitalne slike. T he Museum of Contemporary Art in Belgrade is showing the works of prominent contemporary artist Dragan Jelen- ković, who has spent decades exploring boundaries between images, objects and space. The exhibition, entitled Arithmology of Form, remains on display at Belgrade’s Gallery-legacy of Mil- ica Zorić & Rodoljub Čolaković until 3 rd November. Jelenković belongs to a generation of artists who champi- oned significant changes in the artistic and semantic expansion of the medium of sculpture that began during the 1980s, bring- ing greater complexity to the image of stylistically heterogene- ous and highly individualised sculptural poetics. This exhibition presents a curated selection of works from the artist’s oeuvre, as well as his latest pieces in which Jelenković thematises and explores the phenomenon of redefining form in the context of the current global juncture, including new ways of communi- cating, relations towards nature, the dictates of an overabun- dance of information and the predominance of digital images. Izložba „Aritmologija oblika“ u MSU / MoCAB hosts Arithmology of Form exhibition
A n exhibition entitled Time Eats the View – a selection from the collection of paintings of the Museum of Contempo- rary Art of Vojvodina will remain open to MSUV visitors until 31 st October. This exhibition encompasses more than 100 works by 60 artists, including Ilija Bašičević Bosilj, Mira Brtka, Petar Lubarda and many others. This exhibition serves as the vanguard of a series of 2026 ex- hibitions that will present the MSUV’s rich collections of works to the public as part of celebrations marking the 60 th anniversary of the founding of this museum. The exhibition encompasses over a hundred works created between the 1940s and the present day, predominantly present- ing works of authors from Vojvodina that were created in a varie- ty of media and styles, from oil on canvas to object paintings. The exhibition follows and shows trends within the collection, with the most represented works dating back to the 1960s, ‘70s and ‘80s, though it also includes works from the ‘90s and early 2000s.
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