3 . In unpacking this Form , Sex, Belonging, Race , kin-aesthetics erm they coin the t central idea, t are es, “how kinship and ar which encapsulat ork , bound up with the w both, as social practices ough the y work on and thr of the body; the 4 .” Bodies appear and materiality of the body y xhibition—the very work in this e disappear in e otected, they are they reveal, they are pr perform, ted to attest. In and permit o rest, laid t exposed, Untitled (John Giorno reads) ’s iravanija Rirkrit T at one point Giorno performs his writing, (2008), arhol’s five-and- recounting the making of Andy W with Giorno (1963), Sleep a-half-hour-long film In both s protagonist. ver) as it (Warhol’s then lo s— arhol’ orks—Tiravanija’s and W moving image w originally shot on film and with Giorno as their e o dominat what might first seem t shared subject, . Much has been ’s voyeuristic gaze is the camera ough its construction thr s film, arhol’ written on W 5 . o capitalist desire s relationship t and it repetition, ake, but e a continuous t At first, it may seem lik ork is equally Tiravanija’s ten-hour-long w s and vealing the cut ed, eventually re construct ’s transitions that capture and connect Giorno ver several days. In the case of performances o y ’s (and b Tiravanija’s film, however, the camera er’s) witnessing of Giorno association the mak rating his , and nar ork, playing music reciting his w es to memorialize the life for the camera serv particularly for us viewing it subject and his milieu, . ’s passing in 2019 ake of Giorno today in the w ooden ork in a w en shown the w Tiravanija has oft o the scale of a studio space in structure made t , an institution ery home Giorno’s storied 222 Bow ork life and culture and the own New Y of downt ystems. This is a ters of Giorno Poetry S headquar o y in a city that is still home t resonant legac , iravanija himself tists, including T thousands of ar
Aes- “Kincoherence/Kin- ay and Elizabeth Freeman, 3 Tyler Bradw Form , Sex, Belonging, Queer Kinship: Race ,” thetics/Kinematics 4. , 2022), (Duke University Press 4 Ibid., 5. y of Repetition: “The Pla . Joseph, 5 See, for example, Branden W . (Spring 2005): 22–53 Grey Room 19 s Sleep,” arhol’ Andy W
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