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Vankleek Hill artist Eva Hoedeman is now exhibiting works at La Maison de l’île in Hawkesbury as part of a series of shows organized by Le Cen- tre culturel Le Chenail. Shown here with Susan Jephcott, who is also a Vankleek Hill artist, Hoedeman offi- cially opened the show during a re- cent vernissage. Some 15 artists are taking part in Parc-Arts July 6 from 10 a.m. to 8 p.m. Exhibitions at Le Chenail
Photos Richard Mahoney
National Hockey League linesman Steve Barton, of Vankleek Hill, (right) was busy greeting the 160 players who took part in the Steve Barton Classic at the Hawkes- bury Golf and Curling Club Wednesday. Proceeds form the event will go towards the creation of an outdoor rink inVankleek Hill. Among those taking part were cur- rent and former players and on-ice officials, such as Don Koharski (photo right), Andrew Allen, Dan McGillis, Mark Mahon, Stéphane Auger and Dave Jackson.
Félicitations!
C’est en présence de plusieurs invités que Rachel Rochon et Stephan Leduc, nouveaux propriétaires du Centre Floral 2013 à Hawkesbury ont procédé à l’ouverture officielle du commerce le mercredi 26 juin dernier. Sur la photo, on aperçoit, de gauche à droite Rachel Rochon, M. René Berthiaume, maire de Hawkesbury ainsi que Stephan Leduc lors de la coupure officielle du ruban. Les propriétaires en ont profité pour remercier les nombreux invités présents qui sont venus célébrer avec eux. Félicitations!
Face to face Martine Bédard’s “Hindsight (x100).”
VANKLEEK HILL | “Portraits : Beyond the face” is the theme of an exhibition being held from now until August 11 at the Ar- bor Gallery, 36 Home Ave., Vankleek Hill. The public can meet artists Martine Bédard, Rosemary Breault-Landry, of Gatin- eau, Elle Chae, Joseph Coban, Philippe Croteau and Stephen Frew, of Ottawa, Sat- urday, July 6 from 1 p.m. to 4 p.m. The gal- lery is open from noon to 5 p.m. Thursday to Sunday. Here is curator Shanna Steals’ statement : “Below the surface, beneath the skin and past what is seen lies the true nature of our identity. Throughout history and in many cultures, portraiture has been the primary focus of artists. It was a way to describe physical features, status and nobil- ity and was also believed to be the mirror of the soul. Intrinsically, the face was a syn- ecdoche for the person; a part to represent the whole. Today, we still carry this cultural myth as we continue to question our exis- tential selves. As such, the portrait offers a glimpse into the world of the subject while mirroring that of the artist. Unlike a finger- print, a portrait is ever changing and re- flects the time in which it was created. No two copies of one same subject will ever be alike. The viewer is asked to see the subject through the eyes of the artist and every- thing that has coloured his or her personal observations. For the contemporary artist, the portrait has moved beyond the literal representation of the face and serves at once as a way to express emotions, inter- pret beliefs and evoke memories as well as capture the cathartic moments of our rest- less time and anxious world.”
Photos Richard Mahoney
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