REFLECTION This technique involves bouncing the light off of a white surface towards the object to be photographed. This is probably the lighting method we use the most—it’s versatile and simple to position more reflectors until the piece is well-lit. It is helpful to have a large white surface to reflect light off, preferrably from above the object. Position the object so the lit surface reflects light off of the object directly toward the camera.
MATERIALS FOR REFLECTION
- foam core - cardstock - paper
Reflected Light Study
Reflected Light For this photo, we used 3 pieces of glossy card stock to create a “tent” around the plate. One light source is directed at the top piece of card stock so it bounces to the plate surface.
A BIT ABOUT BACKGROUNDS By now you may have noticed that we’ve used a different background for each photo. The list of potential interesting backgrounds is endless. Almost any surface can be used to take photos on. Other things to consider: Light reflecting off of background object it is sitting on will affect the light and color of the photo. Keep in mind the position of camera and object — if object is perpendicular to the camera, you won’t see as many reflections from the background. If shooting at an angle, the background will be reflected in the object.
EXISTING SURFACES Your bench top, vise, Satellite ® Turntable, or concrete floor can provide a natural feeling to your picture. It may also provide some context of your work environment for potential customers who are unfamiliar with your process.
PRINTED TEXTURES Printed textures can be an easy option for a photo background. You can create these from scratch or find textures on the internet (but take care to respect others’ copyrights). GLASS/ACRYLIC For a more elegant look, shooting your work on glass or plexiglass at a low angle can produce a stylish reflection. This technique is very common in jewelry photography, but can be used in many applications.
CHANTEN DICKINSON
STEVE MAGNOTTA
FOUND OBJECTS If you want to dress your
background up a little bit, you can add other found objects to complement your piece. Wood (both finished and raw), rocks, plants, and other natural materials help make an organic contrast to your metal-based work.
ALEXANDRE SIDOROV
DIANE SCALESE
Learn ISSUE No. 07
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