Biola_Catalog_19880101NA

COURSE DESCRIPTIONS ~

27 units must be upper division. The interdisci­ plinary proposal must be submitted and approved no later than the first semester of the junior year. No exceptions will be made. Speech/Drama Objectives: The courses in drama are intended to (I) provide opportunities for all students to participate in drama in order to develop commu­ nication skills and gain confidence and stage presence and (2) equip students desiring to use drama in Christian ministry, elementary or secon­ dary education, missions, or other careers. Those considering a career in drama should plan on additional experience. Concentration: 36 units of which at least 24 must be upper division; Must include: 26 I, 280, 362, 458, 467, 468, and 478. The remaining units should be selected with faculty advisement from the following 220, 270, 282, 352, 353, 354, 356, 357, 360, 361 , 382, 385, 454, 461 , and English 460 (Drama.) Humanities Major: Communication Concentration Communication may be used as the area of concentration for the humanities major (page 40). This concentration is basically a minor in communication, but greater flexibility is possible Development of communication skills in both public speaking and interpersonal settings. The course will include attention to audience analysis, speech, research and organization, and critical thinking. 160 INTRODUCTION TO DRAMA (3) Appreciation of drama through an under­ standing of its historical development, forms and styles, and production techniques. 170 SMALL GROUP COMMUNICATION (3) This course focuses on the individual 's com­ munication in a group setting: leadership in groups; group communication norms and pro­ cesses with emphasis on problem solving and conflict management techniques. 181 INTRODUCTION TO ARGUMENTATION AND DEBATE (3) Effective oral communication; invention, analysis, evidence, methods of attack and defense and arrangement of ideas. 220 VOICE AND ARTICULATION (3) Voice improvement turough study of anatomi­ cal and physiological bases of the normal voice. Training in articulation, pronunciation and re­ lated oral skills. 230 INTRODUCTION TO WRITING APPLICATIONS (3) This course presents basic principles of writing and how these principles are used in various applications. 245 PHOTOGRAPHY (3) Experience in fundamentals of black and white photography covering both creative and technical aspects. Fee: $30. (See also ART 221.) 251 SOUND WORKSHOP (3) An introduction to the sound medium as ap­ plied to radio , television and film. Lab fee: $15. through departmental counseling. 100 INTRODUCTION TO PUBLIC COMMUNICATION (3)

253 INTRODUCTION TO BROADCASTING (3) Asurvey of radio and television broadcasting, including history, programming, regulation , rat­ ings and ethics. 261 BEGINING ACTING (3) Lectures, demonstrations and laboratory expe­ rience in acting. Content includes concentration, observation, control and effective use of the body, pantomime, improvisation, state techniques, the actor 's resources and methods of character devel­ opment. 270 INTERPERSONAL COMMUNICATION (3) This course focuses on developing communi­ cation skills in dyadic settings including emphasis on essential preconditions, conflict management, interpersonal relationships, non-verbal behavior and impression management. 280 ORAL INTERPRETATION (3) Learning to read types of literature aloud in a manner that enhances and enriches the audi­ ence's understanding and appreciation of that literature. 282, 382 INTERCOLLEGIATE FORENSICS (2-2) Practical speech experience in debate, readers theatre and individual speaking events. Each sec­ tion may be repeated once for a total of eight units. 312 PHONETICS (3) The science of the articulate sounds of human speech; classification, reproduction and proper recording of speech sounds; principles of phonetic change. (See also !CS 41 3.) 321 INTRODUCTION TO COMMUNICATION DISORDERS (3) Survey of the various types and classifications of speech/language disorders and the role of the speech pathologist in medical and educational settings. 324 SPEECH SCIENCE (3) Anatomy and physiology of the speech and hearing mechanisms. The normal processes of respiration , phonation, articulation, resonance, and hearing are covered. 326 LANGUAGE DEVELOPMENT (3) Normal development of speech and language in children in terms of syntax , semantics, pho­ nology and pragmatics. Motor and cognitive de­ velopment surveyed. 327 CHILDHOOD LANGUAGE DISORDERS (3) Study of delayed language development and childhood language disorders. Includes theories concerning etiology, classification, evaluation and therapy. Prerequisite: 32 l, 326 or permission. 328 STUTTERING (3) Review of the theories dealing with the etiology Supervised practical experience in writing ancl!or editing The Chimes; or producing The Bio/an. Prerequisite: For The Chimes staff - completion of/or current enrollment in 331 or the equivalent. For The Bio/an staff - Communica­ tion Seminar, Yearbook production. of stuttering and methods of therapy. 330 JOURNALISM PRACTICUM (I)

331 JOURNALISM (3) Techniques of news wr iting and copy editing with a study of the structure of the newspaper industry, means of recognizing and evaluating new sources, press ethics and press laws. 332 DESIGN AND LAYOUT FOR PRINT MEDIA (3) Basics of design, layout, headline writing, ty­ pography, and use of photographs and art work for newspapers, magazines, newsletters and other print media. 333 CREATIVE WRITING (3) The short story form , with practice in tech­ niques of narration , characterization, plot and dialogue in segments and completed stories; re­ quirements for various fiction markets. 334 ARTICLE WRITING (3) Non-fiction wr iting of feature material for newspapers and magazines. Includes the inter­ view, personality sketch, personal experience story and research article. Marketing requirements and techniques. 335 WRITING FOR BROADCASTING (3) Alaboratory course in writing for radio and television , including formats , music continuity, A laboratory course in radio and television journalism, including all aspects of writing and delivery of broadcast news programs and documentaries. Work on the KBBK news staff is required. Lab fee: $15. 346 PHOTOGRAPHY II (3) spot announcements , documentaries. 336 BROADCAST JOURNALISM (3) Further study in black and white techniques and introduction to color, covering creative and technical aspects. prerequisite: 245 or permission. Fee $30. (See also ART 322 ) 350 STUDIES IN BROADCASTING (3) Aspects of theory and practice of broadcasting. May be repeated with different course content. 351 BROADCAST ANNOUNCING AND PERFORMANCE (3) Theory and practice of professional announc­ ing, newscasting, sports announcing, interview­ ing and other performance for radio and televi­ sion. 352 INTRODUCTION TO TELEVISION AND FILM PRODUCTION (3) Introduces student to scripting form , thinking in images, film and television cameras, lighting, editing, composition , much more. Lab fee: $30. 353 TELEVISION PRODUCTION (3) Students will write and serve on production teams to produce a variety of formats for television programs. Prerequisite: 251 , 352. Lab fee: $40. 354 MOTION PICTURE PRODUCTION (3) Principles and techniques of making motion pictures with emphasis on preproduction phases. Amotion picture project will be begun in this course and completed in 454. Prerequisite: 352. Lab fee $40. 355 BROADCAST PROGRAMMING (3) Programming for radio and television , includ­ ing audience analysis and consideration of var­ ious programming theories and techniques. In­ cludes television programming computer simula­ tion. Fee: $25. 356 DRAMATIC SCRIPT WRTING (3) Writing of dramatic scripts for television , film or stage.

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