Biola_Catalog_19860101NA

COURSE DESCRIPTIONS IIIHl

Concentration: 36 units, of which 24 must be upper division, including 233, 234, 245, 333, 334, 340, 457, 458, 478. The remaining 9 units ore to be communication electives, of which 6 units must be upper division. Rod io-Television-Film Objectives: When you complete this concentmtion you.should hove acquired entry level skills suitable for employment in the broodcost or film industries. In addition you should hove a depth of background which will enable you to continue to grow and develop, leading to promotion to higher levels of responsibility. Your skills will be suitable for either Christion or secular media. Concentra tion: 36 units, of which 24 must be upper division. Must include: 251,340,352,457,458,459,478 and at least one of 335, 336, or 356. The remaining 12 units ore to be communication electives, of which 3units must be upper division. Minor: 18 units of which 12 must be upper division. Must include 251, 352, 457 ond 458. Public Relations Ob jectives: When you hove completed this concentration you should be prepared for employment in public relations or market­ ing related positions. This concentration combines bu~ness ond communication courses into on interdisciplinary program. Concentration: 36 units, of which ot least 30 units must be upper division ond include: communication 284, 334, 385, 387, 388, 458, 475 or 457, and 478 and business 330, 331 or 434 and 334. Interdisciplinary in Communication If none of the other communication concentrations is exactly right for you, this concentration will give you maximum latitude in' creating a course of study to suit your particular needs. If you choose this option, begin by consulting with on advisor from the communication deportment. Your advisor will h_elp you choose appropriate courses, which moy include courses from other de­ portments. You will then complete a form (0111iloble from the communication office) in which you describe your career goals and give a rationale for eoch of the courses selected. The form will be submitted to a committee mode up of your advisor, the communication deportment chairman, ond o third faculty member. The committee moy accept the proposal as submined, make minor modifications before accepting it, or re ject it. If accepted, the proposal becomes port of your graduation requirements. In making its decision the comminee will consider the follow­ ing: (1) The proposed courses should prepare you well for your stated career objectives. (2) The proposal should focus study toa limited ore □ which con be covered in depth. (3)The academic rigor of the proposal should be ot least equal to thot expected of other communication concentrations. (4) If, in the judgment of the comminee, these goals con be met better through another major or concentration the proposal will be rejected. Concentration: Must include a minimum of 36 units, of which ot least 21 units must be from the deportment of communication. Two specific courses, 458 and 478 ore required.A minimum of 27 units must be upper division. The interdisciplinary proposal must be completed ond approved not later than one calendar year prior to graduation. Drama Minor Object ives: The courses in drama ore intended to (1) provide opportunities for all students to participate in drama in order to develop communication skills and gain confidence ond stage presence and (2) equip students desiring to use drama in Christion ministry, elementary or secondary education, missions, or other careers. Those considering o career in drama should pion on additional experience. Minor: 18 units in dromo, including: 261, 356, 467, 468. Communication Minor: 18 units of which 12 must be upper division, including 458, 478.12 units should be token within one of the concentrations. NOTE: Students seeking on English-communication secon­ dary credential ore advised to consult with the deportments of English and communication.

Humanities Major: Communication Concentration

284 INTRODUCTION TO PUBLIC RELATIONS (3) An introduction to ond opplicotion of the methods ond respon­ sibilities of public relations in contemporary society. · 312 PHONETICS (3) The science of the articulate sounds of human speech; clossificotion, reproduction ond proper recording of speech sounds; principles of phonetic change. Alternate years. (See olso ICS 413.) 321 INTRODUCTION TO COMMUNICATION DISORDERS (3) Survey of the 111rious types ond classifications of speech/­ language disorders ond the role of the speech pathologist in medical ond educational settings. 324 SPEECH SCIENCE (3) Anatomy ond physiology of the speech ond hearing mecha­ nisms. The normal processes of respiration, phonotion, articula­ tion, resonance, ond hearing ore covered. 326 LANGUAGE DEVELOPMENT (3) Normal development of speech ond language in children in terms of syntax, semantics, phonology ond pragmatics. Motor ond cognitive development surveyed. 328 STUTTERING (3) Review of the theories dealing with the etiology of stunering ond methods of therapy. 330 JOURNALISM PRACTICUM (1) Supervised practical experience in writing ond/or editing The Chimes; or producing The Bio/on. Prerequisite: for The Chimes staff - completion of/or current enrollment in 233 or the equi111lent. for The Bio/on staff - Communication Seminar, Yearbook Produc­ tion. 333 CREATIVE WRITING (3) The short story form, with practice in techniques of narration, chorocterizotion, plot ond dialogue in segments ond completed stories; requirements for 111rious fiction markets. 334 ARTICLE WRITING (3) Non-fiction writing of feature moteriol for newspapers and magazines. Includes the interview, personality sketch, personal experience story and research article. Marketing requirements and techniques. 335 WRITING FOR BROADCASTING (3) Alaboratory course in writing for radio ond television, including forma ts, music continuity, spot announcements, documentaries ond dromo. 336 BROADCAST JOURNALISM (3) Aloborotory course in radio ond television journalism, including all aspects of wri ting ond delivery of broadcast news programs ond documentaries. Work on the KBBK news staff is required. 340 MASS MEDIA AND SOCIETY (3) Development, structure, policies ond practices of the electronic media ond their impact on society ond on individuals. 346 PHOTOGRAPHY II (3) further study in block and white techniques ond introduction to color, covering creative ond technical aspects. Prerequisite: 245 or permission. fee: $30. (See olso art 322.) 350 STUDIES IN BROADCASTING (3) Aspects of theory ond practice of braodcosting: announcing, production, directingondrel igious broadcasting. Moy be repeated with different course content. Offered upon sufficient demand. 351 BROADCAST ANNOUNCING ANDPERFORMANCE (3) Theory ond practice of profess ional announcing, newscasting, sports announcing, interviewingondother perlormonce for radio and television. 352 INTRODUCTION TO TELEVISION ANDFILM PRODUCTION (3) Introduces student to scri pting fo rm, thinkinginimages, film and television cameras, lighting, editing, composition, muchmore. lob fee: $30.

Communication may be used os the oreo of concentration for the humanities major (page 36). This concentration is basically o minor in communication, but greater flexibility is possible through departmental counseling. 100 INTRODUCTION TO COMMUNICATION (3) Development of communication skills in both public speaking and interpersonal senings. The course will include onention to audience analysis, speech research and organization, critical thinking, interviewing, listening and building trust. 160 INTRODUCTION TO DRAMA (3) Appreciation of drama through on understanding of its histori­ cal development, forms ond styles, and production techniques. 170 SMALL GROUP COMMUNICATION (3) This course focuses on the individual's communication in a group sening: leadership in groups; group communication norms and processes with emphasis on problem solving and conflict management techniques. 181 INTRODUCTION TO ARGUMENTATION AND DEBATE (3) Effective oral communication; invention, analysis, evidence, methods of onock and defense ond arrangement of ideas. 220 VOICE AND ARTICULATION (3) \bice improvement through study of onatomicol and physio­ logical bases of the normol 111ice. Training in articulation, pronun­ ciation and related oral skills. 233 JOURNALISM (3) Techniques of news writing with astudy of the structure of the newspaper industry, means of recognizing ond e111luoting news sources, press ethics and press lows. 234 JOURNALISM EDITING, TYPOGRAPHY AND LAYOUT (3) Practical experience in copy editing ond headline writing with the basics of typography, layout and use of photographs in journalism. 245 PHOTOGRAPHY I (3) Experience in fundamentals of block and white photography covering both creative ond technical aspects. fee: $30. (See also Art 221 ) 251 SOUND COMMUNICATION WORKSHOP (3) An introduction to the sound medium os applied to radio, television and film. lob fee: $15. 253 INTRODUCTION TO BROADCASTING (3) Asurvey of 111rious aspects of radio and television in the United States, including history, programming, federal regulation, ratings ond ethics. field trips to oreo radioond television stations. 261 BEGINNING ACTING (3) lectures, demonstrations and laboratory experience inacting. Content includes concentration, obser111tion, control and effective use of the body, pantomime, improvisation, stage techniques, the actor's resources ond methods of chorocter development. 270 INTERPERSONAL COMMUNICATION (3) This course focuses on developing communication skills in dyadic senings including emphasis on essential preconditions, conflict monogement, interpersonal relationships, non-verbal be­ havior ond impression monogement. 280 ORAL INTERPRETATION (3) learning to reod types of literature aloud in omanner that enhances ond enriches the audience's understanding ond appre­ ciation of thot li terature. 282/382 INTERCOLLEGIATE FORENSICS (2-2) Practical speech experience in debate, readers theatre ond individual speaking events. Eoch section moy be repeated once for o total of eight units.

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