233 JOURNALI SM (3) Techniques of news writing with a study of the structure of the newspaper industry, means of recogn izing and evaluating news sources, press ethics and press laws. 234 JOURNALISM EDITING, TYPOG RAPHY AND LAYOUT (3) Pract ical experience in copy editing and headline writing with the basics of typog raphy, layout and use of photographs in journalism. 245 INTRODUCTION TO PHOTOG RAPHY (3) Lecture, demonstration and laboratory experience in fundamentals of black and white photography, with emphasis on both technical and artistic aspects. Camera re quired (35 mm). Fee $30. 330 JOURNALISM PRACT ICUM (I) Supervised practical experience in writ ing and/or editing The Chimes; or produc ing The Bio/an. Prerequisite: For The Chimes staff - completion of/or current enrollment in 233 or the equivalent For The Bio/an staff - Communication Semi nar, Yearbook Production. 333 CREATIVE WRITING (3) The short story form, with practice in techniques of narration, characterization, plot and dialogue in segments and com pleted stories; requirements for various fiction markets. 334 ARTICLE WRITING (3) Non-fiction writing of feature mate1-ial for newspapers and magazines. Includes the interview, personalit y sketch, personal experience story and research article. Marketing requirements and techniques. 340 MASS MEDIA AND SOCIETY (3) (See core courses. )
346 WORKSHOP IN PHOTOGRAPHY (3) One section offered each semester upon su fficient demand. Course may be repeated wit h different content (section ti tle). Areas covered include advanced color and black and white photography, use of color slides and photojournalism. Camera required for most sections. Lab fee $20. 364 WRITING THE NON-FICTION BOOK (3) Covers the bas ics of writing non-fiction booklength material, finding a publisher, preparing a final manuscript, and negotiat ing a book contract. Requires the produc tion of several chapters of a book the stu dent would like to author. 371 R VIEWING FOR THE MASS MEDIA (3) Methods of writing reviews of books, television productions, films and stage pre sentations for both print and electronic media. Requires attendance at selected media performances. 390 JOURNAL WRITING AND AUTO BIOGRAPHY (3) Investigates the techniques of Journal keeping and autobiographical writ ing with attention to both secular and Christian works in these fields. Requires daily journal writing and the drafting of one's autobiog raphy. Open to all students regardless of major. Offered only in interterm. COM 430 ADVANCED STUDIES IN WRITING (3) In-depth study of various specialty writ ing forms including history, biography, and stage wr iting. May be repeated with differ ent course content Prerequ isi te: consent 442 MAGAZIN EDITING AND PRO DUCTION (3) Theory and practice of editing manu scripts for publ1cat1on and all phases of pe riodical management and production. 457 MASS COMMUNICATION THEORY (3) (See core courses.)
458 COMMUNICATIO N RESEARCH METHODS (3) (See core courses.) 478 PRAGMATIC SOCIAL THEORIES OF COMMUNICATION (3) (See core courses.) Radio-Television-Film Objectives: When you complete this concentration you should have acquired ent1-y level skills suitable for employment 1n the broadcast or film industries . In addition you should have a depth of background which will enable you to continue to grow and develop, leading to promotion to high er levels of responsi bility. Your skills will be suitable for 1ther Christian or secular media. Concentrat ion: 36 units, of which 24 must be upper division. Must include: 251, 340, 352, 457, 458 , 459 and at least one of 335, 336, or 356. Minor: 18 units of which 12 must be up per d1v1s1on. Must include 251, 352, 457 and 458. 251 SOUND COMMUNICATION WORKSHOP (3) An introduction to the sound medium as applied to radio, television and film. Lab fee: $15. 253 INTRODUCTION TO BROAD CASTING (3) A survey of various aspects of radio and television in the United States, including history, programming, federal regulation, ratings and ethics. Field trips to area radio and television stations. 335 WRITING FOR BROADCASTING (3) A laboratory course in writing for radio and television, includ ing formats, music continuity, spot announcements, documentaries and drama.
336 BROADCAST JOURNA LI SM (3) A laboratory course in radio and televi sion journalism, including all aspects of writing and delivery of broadcast news programs and documentaries. Work on the KBBK news staff is required. 340 MASS MEDIA AND SOCIETY (3) (See core courses.) 350 STUDIES IN BROADCASTING (3) Aspects of theory and practice of braodcasting: announci ng, production, di recting and religious broadcasting. May be repeated with different course content Offered upon sufficient demand. 351 BROADCAST ANNOUNCI NG AND PERFORMANCE (3) Theory and practice of professional an nouncing, newscasting, sports announcing, interviewing and other performance for radio and television. 352 INTRODUCT ION TO TELEVISION AND FILM PRODUCTION (3) Introduces student to scripting form, thinking in images, film and television cam eras, lighting, editing, composition, much more. Lab fee: $15. 353 TELEVISION PRODUCTION (3) Students will write and serve on pro duction teams to produce a variety of for mats for television programs. Prerequi sites 251, 352. Lab fee: $40. 354 MOTION PICTURE PRODUCTION (3) Principles and techniques of making mo tion pictures, uti lizing both lecture and lab oratory approaches. Prerequisite: 352. Lab fee $40. 355 BROADCAST PROGRAMMING (3) Programmi ng for radio and television, including audience analysis and consider ation of various programming theories and techniques. Includes television program mi ng computer simulation. Fee $25.
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