Biola_Catalog_19830101NA

Scholarships: Music scholarships and performance awards in varying amounts are available to qualified students. Complete information is available by writing: Chair , Mus ic Scholarship Committee , Biola University, 13800 Biola Avenue , La Mirada , California 90639. Majors: A professional degree (Bachelor of Music) is offered with emphasis in one of the following areas: applied music, composition and music education. Students interested in pursuing one of these emphases must demonstrate a high level of perform­ ance potential and commitment to music as a profession. A non-professional degree (Bachelor of Arts) with a major in music is also offered . Candidates for the Bachelor of Music degree are exempt from the general education requirement in foreign language , literature and fine arts and need take only five units in mathematics and /or science. All music majors must complete a basic core of 36 units of music which consists of the following: 60C , 105 , 111 , 112 , 117, 206, 211,212,215,216,304,311,312,315, 323,340(4),405,440. Specific additional requirements for the available degree options

as related to the instrument. First position chords, bar chords, right and left hand technique. Subsequent classes-more advanced. 80 A, B, C-CLASS INSTRUCTION (] , I , ]) Class instruction in instruments other than piano, voice or guitar. 90-99 APPLIED MUSIC - PRIVATE (l-2) Applied instruction for non-music majors and for music majors, secondary instrument. Instruction in piano, organ, harpsichord, voice, brass instruments, string instruments, woodwind instru­ ments, percussion instruments, conducting , composition and hymn improvisation. IOI INTRODUCTION TO MUSIC (3) Elements of music and media of performance in historical per­ spective. Provides basic background in music literature. For the non-music major. Offered each semester. l05 MUSIC HISTORY AND LITERATURE: MUSIC BEFORE 1600 (2) A historical and critical study of the period including important contributions in musical literature, theory and performance prac­ tice. Special attention will be given to the analysis of selected vocal and instrumental works. 111 MUSIC THEORY: AURAL EMPHASIS (2) Designed for entering music students with sufficient background. Timbre discrimination , singing of Gregorian chant. Development of professional notation habits. Minimum terminal performance: ability to recognize , dictate, sing intervals (m2 to PS) , triads and major / minor / modal scales and perform rhythms in simple meters. 112 MUSIC THEORY: AURAL EMPHASIS (2) Continuation of Music 111 , but with more emphasis on sight­ singing. Introduction to changing meters, additive rhythms cross rhythms and improvisation . Minimal terminal performance: ability to identify , dictate and sing all major and minor scales, all simple intervals in isolation within the compass of an octave , all triads , to dictate basic chord progressions. Prerequisite: 111 I 17 MUSIC THEORY: WRITTEN EMPHASIS (2) Diatonic harmony, melodic construction, non-chord tones, har­ monization of melodies in four parts , creative project. 121 , 122; 223,224; 325,326; 427,428 PRINCIPAL APPLIED INSTRUCTION (l ,2) For the mus ic major, B.A. degree objective, semesters 1-8 . Piano , organ, harpsichord, voice, brass instruments, string in­ struments, woodwind instruments, percussion instruments. 131 , 132; 233 , 234; 335 , 336; 437 , 438 PRINCIPAL APPLIED INSTRUCTION (2) For the music major , composition degree objective, semesters 1-8. Instruction in composition. 150 A, B PIANO PROFICIENCY (l ,l) Literature, technique, scales, harmonization , sight reading and transposition . Designed to prepare the student for the piano proficiency examination. Class instruction. 151 , 152 SONG LITERATURE-DICTION (1,1) Principles of pronunciation and enunciation of English, Italian, French , German and Spanish. Texts are studied as these lan­ guages relate to song literature from periods of history, geo­ graphical location , individual composers or ethnic groups.

for the Bachelor of Music are : I . Music Education: 42 units

161, !62 , 263 , 264 , 320(6) , 324,334 , 365 , 366,420(2) , 467 , 468,470, Applied Secondary (4), Ensemble (8), Professional Education or electives (9). 2. Performance: 42 units *151 , *152 , 171,172, *251 , *252, 273,274 , 370 , 375 , 376 , **420(2) , 430,477,478,479,490, App lied Secondary (4) , t Ensemble (8) , music electives - non-voice majors (6) , music electives - voice majors (4). *Voice majors only, **voice majors exempt. t No more than one ensemble unit per semester will apply to the eight-unit requirement. Additional ensemble units may fulfill elective requirements. 3. Composition: 42 units 132 , 181,233,234,324,335 , 336, *340(4) , 437 , 438 , 490 , applied keyboard secondary (8), tensemble (8), music elec­ tives (2). *In addition to core requirements. tNo more than one ensemble unit per semester will apply to the eight-unit requirement. Additional ensemble units may fulfill elective requirements. Specific additional requirements for the Bachelor of Arts are: 121, 122 , 223, 224 , 325, 326 , 427 , 428 , applied secondary and / or music electives (5), ensemble (6) . Additional require­ ments total 19 units. In addition to course requirements, all music majors are required to complete seven semesters of concert attendance. Details are specified in the Music Department Student Handbook , available from the music office. MUSIC COURSES 50 A, 8, C-INTRODUCTION TO THE PIANO (1 , 1, 1) Designed for the non-music major. Notation, technique, rhythm , interpretation , sight-reading designed to develop general keyboard facility. 60 A,B , C-VOICECLASS (1,1,1) For the student with no previous voice training who desires to study applied music. (Section C is designated for music majors.) 70 A, B, C-GUITAR CLASS (1,1 , 1) Designed for the student with no previous training in guitar. Survey of different styles of playing , together with music theory

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