Biola_Catalog_19810101NA

352 INTRODUCTION TO TELEVISION AND FILM PRODUCTION (3) The basics of visual communication, as applied to television and film. Introduces student to scripting form, thinking in images, film and television cameras, lighting, editing, composition, much more. Laboratory fee $15.00. 353 TELEVISION PRODUCTION (3) Students will write, and serve on production teams to produce a variety of formats for television programs. Prerequisites: 251, 352. Laboratory fee $30.00. 354 MOTION PICTURE PRODUCTION (3) Principles and techniques of making motion pictures, utilizing both lecture and laboratory approaches. Prerequisite: 352. Laboratory fee $30.00 455 BROADCAST MANAGEMENT (3) Problems of operating a broadcast station from the perspective of management. Students complete a project outlining market research, physical facilities, programming, personnel, and budget for a proposed radio or television station. 456 BROADCAST SALES AND PROMOTION (3) Broadcast sales, developing presentation materials for various types of clients, organization of a successful sales staff, selling the advertising agency, and the advertising staff of client companies; sales and listener promotion. 457 MASS COMMUNICATION THEORY (3) Current theories in mass communication, the usefulness of each, and research support given to each. Theories unique to mass communication as well as the application of more general communication theories. Drama: 160 INTRODUCTION TO DRAMA (3) Appreciation of drama through an understanding of its historical development, its forms and styles, and its production techniques.

334 ARTICLE WRITING (3) Non-fiction writing of feature material for newspapers and magazines. Includes the interview, personality sketch, personal experience story and research article. Marketing requirements and techniques. 335 WRITING FOR BROADCASTING (3) A laboratory course in writing for radio and television,

including formats, music continuity, spot announcements, documentaries and drama. 340 MASS MEDIA AND SOCIETY (3)

Development, structures, policies and practices of the print media and of the electronic media, and their impact on society and on individuals. 346 WORKSHOP IN PHOTOCOMMUNICATION (2-3) One section offered each semester upon sufficient demand. Course may be repeated with different content (section title) . Areas covered include basic photography, advance color and black and white photography, use of color slides, and photojournalism. Camera required for most sections. Laboratory fee $20. 430 ADVANCED STUDIES IN WRITING (3) In-depth study of various specialty writing including reviewing for the mass media, biographical writing, advanced fiction writing, and writing the non-fiction book. May be repeated with various course content. Prerequisite: consent. 442 MAGAZINE EDITING AND PRODUCTION (3) Theory and practice of editing manuscripts for publication and all phases of periodical management and production. Radio-Television-Film: 251 SOUND COMMUNICATION WORKSHOP (3) An introduction to the sound medium as applied to radio, television and film. Laboratory fee $10.00 253 INTRODUCTION TO BROADCASTING (3) A survey of various aspects of radio and television in the United States, including history, programming, federal regulation, ratings and ethics. Field trips to area radio and television stations. · 335 WRITING FOR BROADCASTING (3) (See Print Media concentration.) 336 BROADCAST JOURNALISM (3) A laboratory course in radio and television journalism, including all aspects of writing and delivery of broadcast news programs and documentaries. Work on the KBBK news staff is required. 340 MASS MEDIA AND SOCIETY (3) (See Print Media concentration.) 350 STUDIES IN BROADCASTING (3) Aspects of theory and practice of broadcasting: announcing, production, directing, and religious broadcasting. May be repeated with different course content. Offered upon sufficient demand.

220 VOICE AND ARTICULATION (3) (See Speech Pathology concentration.) 261 BEGINNING ACTING (3)

Lectures, demonstrations, and laboratory experience in acting. Content includes concentration, observation, control and effective use of the body, pantomime, improvisations, stage techniques, the actor's resources,

and methods of character development. 280 ORAL INTERPRETATION (3) (See Speech Communication concentration.) 360 WORKSHOP IN DRAMA (1-3)

Specialized offerings in drama production. At least one section offered yearly in areas such as: play directing, stagecraft, play production, the drama team, and rehearsal and performance. Designed as a laboratory course for students training to participate in drama in churches and schools . Opportunities given for practical experience through the presentation of plays for the public. When feasible, one-act production teams will perform for area churches and organizations. May be repeated with different course content.

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