253 INTRODUCTION TO BROADCASTING (3) A survey of various aspects of radio and television in the United States, including history, programming, federal regulation , ratings and ethics. Field trips to area radio and television stations. 335 WRITING FOR BROADCASTING (3) (See Print Media concentration.) 336 BROADCAST JOURNALISM (3) A laboratory course in radio and television journalism, including all aspects of writing and delivery of broadcast news programs and documentaries. Work on the KBBK news staff is required. 340 MASS MEDIA AND SOCIETY (3) (See Print Media concentration .) 350 STUDIES IN BROADCASTING (3) Aspects of theory and practice of broadcasting: announcing for radio and television , radio production and directing, and religious broadcasting. May be repeated with different course content. Offered upon sufficient demand. 352 INTRODUCTION TO TELEVISION AND FILM PRODUCTION (3) The basics of visual communication, as applied to television and film. Introduces student to scripting form , thinking in images, film and television cameras, lighting, editing, composition , much more. Laboratory fee $15.00. 353 TELEVISION PRODUCTION (3) Students will write, and serve on production teams to produce a variety of formats for television programs. Prerequisites: 251 , 352. Laboratory fee $30.00. 354 MOTION PICTURE PRODUCTION (3) Principles and techniques of making motion pictures, utilizing both lecture and laboratory approaches. Prerequisite: 352. Laboratory fee $30.00 455 BROADCAST MANAGEMENT (3) Problems of operating a broadcast station from the perspective of management. Students complete a project outlining market research, physical facilities, programming, personnel , and budget for a proposed radio or te levision station. 456 BROADCAST SALES AND PROMOTION (3) Broadcast sales, developing presentation materials for various types of clients, organization of a successful sales staff, selling, the advertising agency, and the advertising staff of client companies; sales and listener promotion. 457 MASS COMMUNICATION THEORY (3) Current theories in Mass Communication, the usefulness of each, and research support given to each. Theories unique to Mass Communication as well as the application of more general communication theories .
261 BEGINNING ACTING (3) Lectures, demonstrations, and laboratory experience in acting. Content includes concentration , observation, control and effective use of the body, pantomime, improvisations, stage techniques , the actor's resources , and methods of character development. 280 ORAL INTERPRETATION (3) (See Speech Communication concentration.) 360 WORKSHOP IN DRAMA (1-3) Specialized offerings in drama production. At least one section offered yearly in areas such as: play directing, stagecraft, play production, the drama team, and rehearsal and performance. Designed as a laboratory course for students training to participate in drama in churches and schools. Opportunities given for practical experience through the presentation of plays for the public . When feasible , one-act production teams will perform for area churches and organizations. May be repeated with different course content. 362 ADVANCED ACTING (3) Development of the actor's individual creativity and expression; applying his techniques to various acting styles and characterizations; ensemble playing. Prerequisite: 261. 365 THEATRE HISTORY I (3) Greek, Roman , Medieval , and Elizabethan periods. Plays and productions examined from both historical and contemporary perspectives. 366 THEATRE HISTORY II (3) Restoration to the present. Plays and productions examined from both historical and contemporary perspectives. 368 DRAMA IN THE CHURCH (3) An overview of available materials as well as techniques of selecting, staging and directing several types of dramatic presentations for the church and Christian education programs. Alternate years; offered Spring 1980. 460 ADVANCED WORKSHOP IN DRAMA (1-3) Advanced drama production in areas such as Advanced Play Direction and Advanced Readers Theatre. Designed as a laboratory course for advanced drama students. Prerequisite: Consent. May be repeated with different course content. 461 READERS THEATRE (3) Programming and presentation of prose , poetry and drama by two or more readers using the skills of the oral interpreter as well as those of the actor. Methods of preparation, performance and directing. Speech Communication: 170 PRINCIPLES AND TYPES OF DISCUSSION (3) Problems of participating in and leading small group discussion; application of the pattern of reflective thinking to various types of problems, practice in task-oriented problem solving. 181 INTRODUCTION TO ARGUMENTATION AND DEBATE (3) Effective oral communication; invention , analysis, evidence, methods of attack and defense , and arrangement of idea. 280 ORAL INTERPRETATION (3) Learning to read types of literature aloud in a manner that
Drama: 160 INTRODUCTION TO DRAMA (3)
Appreciation of drama through an understanding of its historical development, its forms and styles, and its production techniques.
220 VOICE AND ARTICULATION (3) (See Speech Pathology concentration.)
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