Nancy Baker Cahill: Through Lines October 28, 2023 – May 19, 2024
Installation photograph of Nancy Baker Cahill (American, b. 1970), “Margin of Error,” 2019 – 23. Augmented reality, accessible through 4th Wall app. Production by Drive Studio and Shaking Earth Digital. Courtesy of the artist. Photo by Jason Thrasher.
“Nancy Baker Cahill: Through Lines” highlights the artist’s interdisciplinary artistic practice and the role of emerging technologies in contemporary art.
Nancy Baker Cahill’s work examines ideas of systemic power, consciousness, the human body and the impact of humans on the biosphere. This mid-career survey exhibition is Baker Cahill’s first solo museum show. Expanding upon her background in tradition- al media, the artist redefines the possibilities of drawing in contemporary art. She begins with finely rendered graphite drawings that evolve into torn paper sculptures, then scans and animates them into 3D digital immersive videos. The drawings, altered by software, later reappear as single cinematic frames in the form of fine art prints. “Through Lines” moves across spatial dimensions and media, following Baker Cahill as she investigates materiality and immateriality through her progres- sion from drawing into digital works of art in augmented reality (AR). Featuring drawings, sculptural installations and single and multichannel videos, the exhibition traces Baker Cahill’s mark-making from traditional modes of artistic production into technologized ones. The works invite reconsiderations of fine art and the art historical canon in the face of emerging technol- ogies while examining site, time and space as they relate to the physical body, the digital, the permanent and the ephemeral. “Through Lines” invites guests and viewers to interact with art outside traditional brick-and-mortar exhibition spaces with an animated, geolocated AR installation in the museum’s Jane and Harry Willson Sculpture Garden. This monumental artwork,
“Margin of Error,” imagines an inevitable and toxic outcome cre- ated by humans’ impact on the environment. The title referenc- es the statistical probability of an event to occur, in this instance the occurrence of environmental disaster. By placing this work in the museum’s sculpture garden, the exhibition underscores consequence of the impending biological, chemical and geologi- cal disasters that will take place in our own backyards. Curator: Kathryn Hill, associate curator of modern and contemporary art Sponsors: The Willson Center for Humanities and Arts, John and Sara Shlesinger, the W. Newton Morris Charitable Foundation Fund and the Friends of the Georgia Museum of Art
A Perfect Model: Prints after Anthony van Dyck’s Portraits June 8 – December 1, 2024
DON’T MISS
Decade of Tradition: Highlights from the Larry D. and Brenda A. Thompson Collection THROUGH JULY 7, 2024
Anthony van Dyck (Flemish, 1599 – 1641) was one of the most successful artists of his generation, especially admired for his evocative portraits.
He undertook the ambitious project of creating a series of prints depicting famous scholars, military men, nobles and artists. Van Dyck’s prints were widely copied by his con- temporaries and were often altered and reprinted over the centuries. This exhibition presents prints that attest to Van Dyck’s lasting impact as printmaker and portraitist.
Power and Piety in 17th- Century Spanish Art THROUGH july 28, 2024
Curator: Nelda Damiano, Pierre Daura Curator of European Art
Paulus Pontius (Flemish, 1603 – 1658) after Anthony van Dyck (Flemish, 1599 – 1641), “Carolus de Colona,” n.d. Engraving, 16 × 11 1/4 inches. Georgia Museum of Art, University of Georgia; Gift of Dr. and Mrs. S. William Pelletier. GMOA 1981.57.
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