Primer lugar / First Place Cristián Fernández E.
Arquitectos asociados / Associate architects: Matías González, Guillermo Bustos, Constanza Hagemann, Nicolás Valdés, Claudio Araya. Colaboradores / Collaborators: María Mantou, Amalia Fernández S., María de la Gracia Fernández S., Cristián Fernández S.
Paisajista / Landscape designer: Macarena Calvo
76 propuestas se presentaron al concurso coordinado y gestionado por Constructo bajo la dirección de Jeannette Plaut. El proyecto ganador fue el del equipo formado por Cristián Fernández, Matías González, Guillermo Bustos, Constanza Hagemann, Nicolás Valdés y Claudio Araya, mientras que el segundo lugar lo compartieron los equipos de José Manuel Figueroa y de Jorge Pavic. Así mismo, se destacaron dos menciones honrosas para los equipos de Rogelio Arancibia Palacios y de Smiljan Radic. El jurado estuvo conformado por figuras de renombre mundial como Glenn Lowry, director del MoMA y presidente del jurado; Frances Morris, directora de la Tate Modern; los arquitectos internacionales David Adjaye, David Chipperfield, Steven Holl, Toshiko Mori y Charles Renfro; los arquitectos chilenos Luis Izquierdo, Premio Nacional de Arquitectura, y Marcelo Sarovic; y por Claudio Engel, presidente de la Fundación Engel, y Raúl Torrealba, alcalde de la Munici- palidad de Vitacura. El equipo ganador propuso un edificio que se articula en torno a un gran vacío o patio central con salas de arte que “flotan” en el nivel superior y que se orientan en diversas direcciones. La disposición de estos volúmenes responde a las vistas hacia los hitos que configuran geográficamente el valle de Santiago: los cerros Manquehue, San Cristóbal y San Ramón.
↥ En el nivel de acceso, donde predomina el uso del vidrio, se vinculan la calle, el patio central y el parque Bicentenario. On the access level, where the use of glass predominates, the street, the central courtyard, and the Bicentennial Park are linked. ↙ El edificio se articula en torno a un patio central con un programa en los niveles superiores que se abalcona sobre este vacío. The building is articulated around a central courtyard with a program on the upper levels that is built around this void.
76 proposals were submitted to the competition coordi- nated and managed by Constructo under the direction of Jeannette Plaut. The winning project was made up of the team of Cristián Fernández, Matías González, Guillermo Bustos, Constanza Hagemann, Nicolás Valdés and Claudio Araya, while second place was shared by the teams of José Manuel Figueroa and Jorge Pavic. There were also two honorable mentions for teams Rogelio Arancibia Palacios and Smiljan Radic. The jury was made up of world-renowned figures such as Glenn Lowry, director of MoMA and jury president; Frances Morris, director of the Tate Modern; international architects David Adjaye, David Chipperfield, Steven Holl, Toshiko Mori, and Charles Renfro; Chilean architects Luis Izquierdo, the National Architecture Prize winner, and Marcelo Sarovic; and Claudio Engel, president of the Engel Foundation, and Raúl Torrealba, mayor of the Vitacura Municipality. The winning team proposed a building that is articulated around a large void or central courtyard with art rooms that "float" on the upper level and are oriented in different directions. The arrangement of these volumes reflects the
landmark views that geographical- ly configure the Santiago valley: the Manquehue, San Cristóbal, and San Ramón hills. The building has three levels with unique material characteristics. On the first level, the pavements, ramps, and steps are made of acetylated wood, creating a surface that links the park with the facility and conveys a friendly and inclusive character. The intermediate level, the reception level, is where the street, the central court- yard, and the park are connected. In this space, the transparency provided by the glass is the protagonist. On the top floor, the art rooms are clad in white limestone masonry and in- corporate some translucent lighting elements that allow these rooms to be backlit. The museum is accessed through a wide ramp that leads to the "court- yard of the event", an open space to
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Concursos / Competitions
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