Semantron 2015

(2000) ‘Creative rhetoric in Euripides’ Troades ’, CQ 50: 16-29

Michelini, A. (1987) Euripides and the tragic tradition . Madison Munteanu, D. (2011) ‘The tragic muse and the anti-epic glory of women in Euripides’ Troades’, CJ 106: 129-47 Papadopoulou, T. (2000) ‘Cassandra’s radiant vigour . . . ‘, Mnemosyne 53: 517-27 Phillippo, S. (2007) ‘‘A future for Astyanax’: alternative and imagined futures for Hector’s son in classical and European drama’, Internatioanl Journal of the Classical Tradition 14: 321-74 Poole, A. (1976) ‘Total Disaster: Euripides’ The Trojan Women ’, Arion n.s. 3: 257-87 Revermann, M. (2006) ‘The competence of theatre audiences in fifth- and fourth-century Athens’, JHS 126: 99-124 Roisman, J. (1997) ‘Contemporary allusions in Euripides’ Trojan Women ’, SIFC 15, 38-47 Rosenbloom, D. (2006) ‘Empire and its discontents . . .’, BICS Sansone, D. (2012) Greek Drama and the Invention of Rhetoric . West Sussex Seidensticker, B. (1978) ‘Comic elements in Euripides’ Bacchae ’, AJP 99: 303-20 (1982) Palintonos Harmonia . Gottingen Sommerstein, A. (1997) ‘The theatre audience, the demos , and the Suppliants of Aeschylus’, in Pelling 1997: 63-79 Spatharas, D. (2002) ‘Gorgias’ Ecomium of Helen and Euripides’ Troades’, Eranos 100: 166-74

Stieber, M. (2011) Euripides and the language of craft . Leiden Stinton, T. (1965) Euripides and the Judgement of Paris . London Suter, A. (2003) ‘Lament in Euripides' ‘Trojan Women’’, Mnemosyne 56: 1-28

Thompson, R. (2006) ‘ Theatre(s) of peace and protest’, Australasian Drama Studies 48: 177-88 Worman, N. (1997) ‘The body as argument: Helen in four Greek texts’, Classical Antiquity 16: 151- 203 Wright, M. (2007) ‘Comedy and the Trojan War’, Classical Quarterly 57: 412-31

17

Made with FlippingBook - Online Brochure Maker