past has certainly had a large influence on critically acclaimed artistic output. Furthermore, while art dealing with World War Two and that dealing with the GDR are both concerned with the moral turpitude of those respective societies, they both focus on different aspects. Art dealing with World War Two examines guilt and, rather than foreign art, it does not unthinkingly condemn but instead looks much more deeply at the motivations and level of guilt of those Germans who took part. Art dealing with the GDR instead looks trust, and how among its citizens the edifice of mutual trust largely collapsed.
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