BELOW: BENJ PASEK AND JUSTIN PAUL
PHOTO BY DIRTY SUGAR PHOTOGRAPHY
Beyond the performance ough DEH is unique to all other musicals in its e ectivemessages, its awareness-raising is accomplished through methodology that exceeds most any to come before it. e cast participates in traditional talkbacks
how the showneeded to o er supportive outlets for people who were experiencing similar problems. “From very early on, I didn’t feel that it was right to put on a performance of this show without some resource in the program that said, ‘Here’s where you can call to talk about it some more,’” she recalls. e DEH team began very carefully and strategically gathering the right not-for- pro t partners: Child Mind Institute, e Trevor Project, JED, Crisis Text Line and Born is Way Foundation. Working with such organizations organically brought them much needed attention, simultaneously promoting the show and its important messages. Mindich says that the foundations’ work with them has spread “in a very natural way that feels a lot like the show itself.” In May, Child Mind Institute, whose goal is to “transform the lives of children and families struggling with mental health and learning disorders,” presented Mindich and DEH book writer Steven Levenson with the Visionary Award at their annual Change Maker Awards. CMI President Howard S. Koplewicz has received a tremendous amount of positive feedback from patients and clinicians about DEH ’s impact on li ing the stigmas surrounding mental health disorders. “We cannot discount the power that this show has to make people feel a part of something,” Koplewicz says. “When I see a conversation between Evan and his mother play out, and it feels so real, and I hear amother in the row behind me sni e and wipe away tears, I know I have been in the presence of something fundamental. at is the rst step towards a broad conversation and consensus about child and adolescent mental health.” e Trevor Project, which provides crisis intervention and suicide prevention services to lesbian, gay, bisexual, transgender and questioning youth, and the JED Foundation, which promotes mental health and approaches for preventing suicide, also presented DEH with distinguished awards this year, due to its far-reaching lessons and outreach.
“People see their friends and family in these characters,” says Koplewicz. “They are seeing the truth, and they are open to spreading the message and changing their attitudes.”
occasionally, though Mindich points out that they mostly hold them for organizations supporting Broadway Cares/Equity Fights AIDS, as the cast is always drained a er performing. She also notes that people o en want to leave the theatre “and be alone with their thoughts, or talk to someone about their thoughts.” Talkbacks are not crucial to the poignancy of DEH . Schools ock to the Music Box eatre, so much so that DEH ’s team didn’t have to set out to work with them; the content spoke for itself. In the coming year, entire schools will be attending performances, and many of them plan days completely dedicated to the show, featuring programs before and a er they have taken in the piece. Karen Devlin, a high school English teacher on Long Island, says that DEH “was the catalyst for some great class discussions about the social pressures teenagers face, mental illness, the hyper connectivity of social media, loneliness, parenting…” e discussions in her classes weren’t limited to the students who had actually seen the show. “All of my students had a lot to say about these issues. It has created an incredible opportunity to have really important conversations. Plus, it cautions students about the danger of judging others
wall. A er all, Dear Evan Hansen doesn’t end when the curtain drops, nor does the show simply reach beyond the stage to its audience; an integral aspect of this production has always been its outreach, which producer Stacey Mindich admits has far exceeded the DEH team’s expectations. Laying the Foundation Ben Platt plays the title character in the show about an isolated, lonely teenager who unintentionally becomes a social media sensation and a representation of the compassion that is lacking in most high school students. DEH centersonthemesofteensuicide, bullying, mental illness and social media, amongst others, which ledMindich to consider
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