Shoosty Bugs / An Art Infestation - MOAS

MAKING ART ABOUT ART

My artistic journey is like a tapestry woven from humble threads. At its core is a constant thirst for learning. Art history and technology fuel my inspiration. Studying history reveals humanity’s stories, while technology enables scaling to reach the widest audience at the lowest cost. I write daily for hours, but primari- ly rely on visualization to express my ideas. I hope each new creation deep- ens my understanding and becomes a springboard for the next. In this way, I keep pulling at the edges of my work while paying close attention to details and documenting the process. My chosen craft is the computer, though I still cherish the tactile ex- periences of traditional drawing and painting. Lately, my practice has shifted toward working with printed silk. I’m captivated by the vibrant col- ors and pin-sharp details my methods allow. My silk scarves rival the finest brands in the world. Silk is perfect for large-scale, easily portable works. Experimenting with silk has led to other fabrics, open- ing the door to the rarefied world of fashion and costume design. I now have a complete fashion line, and I’m working on a ballet with the premiere scheduled for early February 2026.

I create art every day, from the moment I wake up until I go to bed. My iPad is always nearby. Whether sketching or pushing the boundaries of software, I dedicate focused time to honing my skills. Mastery, for me, extends beyond any specific medium or style. This adapt- ability allows me to seize opportuni- ties as they arise. Working this way, learning itself is the reward. Combin- ing writing with creating art has led to deep reflection on its meaning. In 2024, I coined the term “Chromatic Fusionism” to describe the combina- tion of science and the humanities. Building a lasting artistic legacy re- quires collaboration. That’s why I prioritize exhibitions and envision global partnerships to bring my work to the masses. As my editor said,, it takes the world time to make discov- eries. That’s the current stage of my work.

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