RESPONSIBLE AI
e legal and ethical development of AI is a tough problem. e world has disjointed laws es- pecially between governments and outside actors. AI will be no di erent. at makes this discussion more like a space race or military build-up than a discussion among creative folks working diligent- ly on their cras. is framework makes the arts a subordinate subject to the bigger picture of drone warfare, robotics, and the disruptions this new technology can cause to employment worldwide. Yet, every- where I see it being deployed today, I see massive gains in productivity and tremendous opportuni- ties. Generative AI is the dream of science ction. To ignore it would be to waste the biggest oppor- tunity to aid all of humanity.
Everyone has strengths and weaknesses. Everyone is on the road to some kind of disability. AI can help us to ll in those areas that are weak while strengthening the ones that are strong. How can we do it all safe and ethically? How can we embrace traditional art forms and bring them into the next century? How can we keep AI safe? Like it or not, art is at the lead of these discus- sions. Artists work in the world of dreams. ey make things. ey can express both Utopian and Dystopian outcomes far before they occur. It’s called science ction and horror. Two genres that predict the future. ey are augmented by ction and non-ction, which highlight the history of the world, one by an attempt at truth, and the other with imagination. In all cases, these people do a deep dive into the human experience.
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