Painting / Drawing
Photography
Painting / Drawing
Installation
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2024 Stripes
Tale One
2025 Airplane People
Vanishing Point to Invert the World Through Six Apples
Acrylic on canvas 102 × 76 × 2 cm
Large format C-Type print (Fujicolor Crystal Archive Pearl paper) 104 × 82 cm
Mixed media, DTF transfer, acrylic paint 100 × 200 × 3.8 cm
Mixed media 250 × 360 × 150 cm
2025
2025
adoniabouchehri Adonia Bouchehri
adam_dorgham Adam Dorgham
ayap24 Aaron Yap
adriettemyburgh_art Adriette Myburgh
Adonia Bouchehri is a London-based artist whose practice spans performance, moving image, digital sculpture, sound and mixed media. Exploring shifts between virtual and physical states, her works often move from ZBrush modelling to canvas, merging printed transfers with paint. In Airplane People , Adonia Bouchehri develops a spontaneous vision of figures holding an aeroplane, initially realised in ZBrush as a digital form. The work moved from digital object to rendered image, then transferred onto cotton canvas via DTF printing and layered with acrylic paint. This process creates a hybrid form that embodies tensions between sculpture and painting, image and object, while reflecting the transformation of thought into material presence.
Adam Dorgham is a British Egyptian photographer based in London. With a background in biology and marketing, he moved from science and strategy to photography to explore the unseen and personal. Drawing on both fields, he engages complex themes with clarity, blurring boundaries between image and viewer to create shared experiences beyond the frame. Tale One is part of the series Visceral Tales , which transports the viewer to a raw, primal state and challenges how we engage with the abject and the image. Through large format photography, identity and meaning are stripped away, boundaries are blurred and what is cast out is reclaimed, manifesting the abject in visual form.
Aaron Yap was trained and practised as an architect for thirty years before devoting himself fully to painting in 2018. He began drawing before he could speak and later established his own studio, where he now pursues painting full time. A man reclines, eyes fixed on the soft glow of an iPhone resting on a glass stool, its light tracing his focused expression. A cat sits calmly before him, gazing outward, detached from the screen’s pull. The painting sets the stillness of nature and the cat’s indifference against the man’s fragile tether to a handheld world, evoking a quiet tension between presence and distraction.
Adriette Myburgh works with hidden codes, cuts, grids, and omissions. She dismantles and reassembles structures into strange, poetic forms. Through drawing, sculpture, installation and animation, Myburgh creates speculative architectures from fragments of the real. In Vanishing Point to Invert the World through Six Apples , six apples act as fragile currencies of resistance, signalling the collapse of inherited systems of value and growth. Elements such as ‘Supersoul’, a spectral lamp- oracle, the ‘Challenger’, a sculptural form caught between ruin and renewal, and a rising subfloor archive fold past, present, and future into an unstable plane.
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