Sculpture
Installation
Sculpture
Photography
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2023 AI
2025 The Unspoken Weight
2025 No Wrong Answers I, Var 2
2025 Corpora Capsicorum
Marble composite 52 × 46 × 20 cm
Latex, acrylic, detritus 300 × 420 cm
Cast modules 65 × 84 × 2 cm
Photograph 61 × 53.1 cm
_alek_b_ Aleksandar Bursac
Aleksandra Wojcik
Agnetha Sjögren agnethasjogren
Alan Patch alanpatch_artist
Aleksandar Bursac is a London-based designer working across computational design, modular systems and material experimentation. Bursac’s creative practice is deeply informed by systems thinking, computational geometry, and a fascination with how simple rules can give rise to complexity. By combining digital design tools with hands-on techniques like mould-making, casting, and CNC fabrication, he crafts modular systems that are at once visually rigorous and materially expressive. In No Wrong Answers , Aleksandar Bursac presents an interactive system of rotationally symmetrical Truchet tiles cast from diverse materials tinted with earth pigments. Viewers are invited to arrange and rearrange the pieces, producing unique yet equally valid configurations. By levelling hierarchy within its modular design, it embodies an egalitarian ethos, encouraging participants to explore freely without fear of error.
Aleksandra Wojcik is a London-based photographer, specialist photography technician and multidisciplinary artist. Her work reinterprets classical art themes through postmodern humour and material experimentation. Rooted in photography yet extending to sculpture and installation, she embraces a fluid, process-led approach. Committed to developing a personal visual language, she invites viewers into spaces of ambiguity, irony and transformation. In Corpora Capsicorum , Aleksandra Wojcik paints twisted peppers in matte blacks, greys and golds, shifting between decay and ritual. Layered and fluid-coated, the forms evoke bodily systems, dependence and collapse, their sheen both seductive and unsettling. Exploring vegetal corporeality, Wojcik uses organic matter to reflect on memory, desire and instability, creating works that hover between life and death, beauty and decay.
Agnetha Sjögren has a 25-year multidisciplinary background across window display consultancy, interior design and prop making. This diverse career enables her to merge art and design, with craftsmanship at its core. Her celebrated dog sculptures express her idea of a ‘good dog’, inviting viewers to move around them. Hidden words and symbols reveal themselves only through close, attentive looking. Agnetha Sjögren’s series explores whether technology, the body and the mind are forming new religions, where meditation and exercise become rituals and the gym a new church. In AI , comic strips cover a sculptural dog to form a narrative: Superman circles the world, Brainiac mimics The Creation of Adam , and finally Superman falls over the heart—a reminder of compassion lost in technological systems.
Alan Patch is a British-born artist who has been passionate about painting since early childhood. For most of his working life, Patch was a carpenter, although he also designed and made stained glass for ten years. Alan Patch’s practice centres on an exploration of disrupted communication. Over time, this enquiry has expanded into a broader investigation of the body, skin, and touch as alternative modes of expression. Working with found and discarded objects shaped by time, wear, and abandonment, Alan Patch engages materials that hold physical and emotional histories, evoking themes of vulnerability, resilience, and transformation.
Latex represents skin in its mortal decay over time.
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