Painting / Drawing
Film / Video
Painting / Drawing
Installation
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2025 Forgotten Territories
2024 Transuranic Elements
2025 Branches
Not Just an Excuse ft. The Attention Machine Experience 2025
Oil on canvas 213 × 214 cm
single-channel video and sound 83 min
Acrylic on wooden panel 30 × 23 × 3 cm
CRT TVs 3000 × 1800 × 1700 cm
Alex Billingham billingham_alex
alexpeice.studio Alex Price
Alexandra Yagilowich
alessandrarisicastoldi Alessandra Risi
Alex Billingham combines visual arts, performance, film, digital media and sculpture in an interdisciplinary practice. Collaborating with neuroscientists, dancers, museums and game designers, Billingham explores permaculture, landscape and ‘Othered’ bodies. Drawing on lived experience as Disabled, Trans, Neurodiverse and Queer, Billingham adapts the medium to the idea, merging lo-fi analogue with digital soundscapes, grime with glitter. Transuranic Elements is designed for audiences to enter and leave freely. The film unfolds like a bath that is both comforting and unsettling, using no spoken language to broaden accessibility. Loosely structured around the lunar cycle, it reflects on trans identities, bodies and their relationship to nature. The film was produced during Billingham’s first year of medical transition; the work holds resonance and intimacy.
a.yagilowich
Alex Price is a contemporary British painter based in London. Exhibitions include Glasshouse Contemporary, Terrace Gallery and Southwark Park Galleries in London. Price’s paintings have also been selected for the John Moores Painting Prize at the Walker Art Gallery in Liverpool and the Lido Open at The Lido Stores Gallery in Margate. In Branches , Alex Price portrays nature as unstable and ever-shifting. Twisting branches, dissolving weeds and blurred forms hover between recognition and collapse, as paint asserts its own agency. Working mainly wet-on- wet, Price lets figuration and abstraction collide. These gestural, ambiguous works act as visual experiments, balancing humour, awkwardness and the unruly nature of both paint and life.
Alexandra Yagilowich is a Neurodiverse interactive installation artist and educator. Yagilowich’s current practice focuses on multimodal human–computer interaction, blending computer science, behavioural science, interior design and media to produce immersive installations that merge learning with play. Alexandra Yagilowich collaborates with the Neurodiverse community to create an immersive installation visualising the ADHD mind. Centred on shifting attention, it uses CRT televisions cycling through ‘Dopamine Channels’ with global submissions answering ‘What does your ADHD brain look, feel or sound like?’ Rooted in narrative practice, it offers a collective expression that validates, empowers and redefines perceptions of neurodiversity.
Risi develops paintings as a mechanism of communication. She achieves this by incorporating elements of her Peruvian background into her work through intense, saturated colours and marked contrasts, transferred onto the surface through gestural and expressive brushstrokes, generating a wide spectrum of forms between the abstract and the figurative. In Forgotten Territories , Alessandra Risi explores cycles, transformation and memory within humanity’s shifting relationship with the environment. Combining botanical forms, Amazonian landscapes and migration references, Risi reimagines landscape as an active presence, reflecting contemporary ecological and cultural urgencies.
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