Digital Art
Digital Art
Painting / Drawing
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Post-Junkanoo 2025
2025 SANCTUM
2024 Guardian of the Deep
2025 Messages from Other Dimensions
Digital print Each 84.1 × 119.9 cm
Digital painting, aluminium print, Chromaluxe HD 85.3 × 60.6 cm
Digital art 5315 × 2990 px
Acrylic and acrylic spray paint on canvas 100 × 100 cm
amirastudioart Amira Ashong
alistairmackinnonstudio Alistair MacKinnon
amandastuart.studio Amanda Stuart
Amira Ashong is a trainee psychotherapist and artist. Ashong’s practice is rooted in an embodied process where thought dissolves and intuition leads. Describing the practice as painting nothing and everything, Ashong likens it to free association in therapy, embracing uncertainty and rejecting the inner critic. Amira Ashong’s painting, created in the stillness of a park yet born from inner unrest, unfolds through an intuitive process. As the artist moved around the canvas, a trance-like state took over, using tree bark to make marks and allowing intuition to guide each gesture. Arabic characters and abstract symbols surfaced organically, weaving cultural echoes with otherworldly forms. The resulting composition suggests transmissions from another realm, messages channelled through gesture and material, resonating beyond the artist, inviting viewers into a space of mystery and transformation.
Alistair MacKinnon is an emerging artist based in London. With a Scottish Bahamian cultural standpoint, he works across painting, digital art and moving image. His practice depicts abstracted Afrofuturist figures and landscapes as they undergo increasingly rapid cultural drift, informed by comparisons between ancient and contemporary cultures and their exchanges with surrounding ecosystems. In Post-Junkanoo , Alistair MacKinnon presents three prints inspired by Afro-Caribbean Carnivals such as Bahamian Junkanoo and their West African roots. Oil pastel drawings are digitised in Blender 3D, where scanned masks and artefacts from his grandparents’ collection are also reimagined as textured forms. Merging material and digital worlds, the works celebrate diasporic creativity and recall the activist origins of Carnival.
amidrajabi Amid Rajabi
Amanda Stuart is a composer and multidisciplinary artist working across soundscapes, painting and audiovisual media. Exploring the beauty and fragility of the natural world, she creates immersive experiences where sound and image converge to evoke wonder and reflection. In SANCTUM , Amanda Stuart creates translucent layers of digital watercolour that pool and dissolve into one another, forming a world both intimate and infinite. The work acts as a mirror, reflecting the inner landscapes of those who engage with it. Stuart’s process is instinctive, following the rhythm of the brush in a state of surrender until a moment of recognition emerges. Each mark is accepted or rejected by the work itself, which appears to guide its own formation.
Amid Rajabi is a VFX artist, Nuke Certified Trainer and FXPHD Instructor with almost two decades of experience in visual effects, animation and digital arts. In Guardian of the Deep , Amid Rajabi conjures the colossal silhouette of a blue whale, woven from countless shimmering particles that drift like stardust through liquid darkness. Moving with improbable grace, its vast body becomes a constellation gliding through the deep, capturing the silent poetry of nature’s greatest giant. It stands as a living testament to endurance, harmony and the fragile balance of the ocean’s unseen worlds.
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