Installation
Photography
Installation
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2025 Inside Out
What is a Nation? 2022
Child of Burning Time
The Future Museum of the Past
Radiotherapy mould, projector, speaker 183 × 60 cm
Giclée on archival paper 37 × 51 cm
Print on wallpaper stock 700 × 95 cm
Mixed media Dimensions variable
2025
2025
angusgreenhalgh Angus Greenhalgh
Ani Lacy
zyxiel Anish Shah
susannacandlin Anna Candlin
anilacyceramics
Angus Greenhalgh is a multidisciplinary artist working with sound, technology and installation to explore illness, recovery and reconstruction. Drawing on personal experience of spinal cancer, Greenhalgh builds immersive, looping environments where fragility meets resilience. Greenhalgh is drawn to glitches, gaps and the generative possibilities that arise when the human body encounters machine logic, creating work that feels alive, vulnerable and quietly resistant. Inside Out is an installation about the feeling of being trapped in the body and mind during illness. At its centre is Angus Greenhalgh’s radiotherapy mould, now repurposed as both relic and sculpture. Layered with sound and light, it contrasts inner chaos with outer stillness. It explores the disorienting mental loops that come with pain, diagnosis and survival, where time warps, the body becomes unfamiliar and the hospital starts to feel like home.
Ani Lacy is an American artist based in England whose practice explores the intersections of migration, impermanence, belonging and cultural memory. Her work negotiates the space between resilience and loss, reflecting the adaptability inherent in both material and cultural practices. Working primarily with wild clay and archival images, Ani draws attention to narratives fractured by Indigenous erasure, displacement and colonial identities. Ani Lacy layers three image-worlds: a 1920s photograph of their great-grandmother and sister in the United States before migration north, a film still from Nagisa Ōshima’s Death by Hanging (1968) and Lacy’s own asemic writing. This digital collage becomes a site where ancestral memory, state violence and erased histories meet, transforming ruptured belonging into a generative space beyond fixed identity.
Anish Shah brings a passion for storytelling into a practice that blends instinct with irony. Constantly seeking a balance between satire and discomfort while exploring surface allure, Anish creates works that invite a deliberate pause and encourage reflection before change. Anish Shah has a flair for performance, curating dialogue and creating a certain level of discomfort through art. Anish Shah presents a publication in the form of a scroll. Composed of excerpts from vulnerable conversations with peers, tutors, mental health professionals and friends, the work functions as an elegy for the sombre reality of being forced into maturity before readiness. Paired with the imagery, the scroll carries tones of mortality, existentialism and certain theological sentiments. It begs for a gathering, almost a procession.
Anna Candlin is an artist whose practice spans sculpture, installation, film and performance. Candlin’s works imagine posthuman futures and interconnected entanglements, reflecting on ecology, symbiosis and the Anthropocene. Influenced by posthumanist thought, Candlin explores how art can challenge dystopian narratives and nurture hope, energy and action in response to the environmental crisis. The Future Museum of the Past imagines a world 500 years ahead. Centred on an earthen spiral planodiorama, the installation features an ‘interlecture’ by a Postanthro curator on hope and uncertainty as transformative forces. Blurring preservation and hybridity, it envisions resilience and respect between human and more-than- human life, offering hope and creative resistance to dystopian despair.
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