Photography
Mixed Media
Installation
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A Hundred Images of My Great Grandmother 2025
Sky Cross 2023
Knot Thing Jeans 2025
...And 2025
Silver gelatin emulsion with chemical resists on stretched canvas Each 54 × 42 × 5 cm
Digital print 42 × 29.7 cm
Old jeans and acrylic 75 × 120 × 3 cm
Cassette tapes, resin Dimensions variable
Ari Kim tookimari
Anoushka Khandwala
Ari Kim is a South Korean visual artist working across painting, mixed media, textiles, sound and video. Her works shift from direct emotion to what lingers afterwards, focusing on fragments, pressure and forms that remain. Using soft materials such as fabric and thread, Kim creates fragile yet tense surfaces that act like skin, resisting quick reading and quietly asking the viewer to pause. In Knot Thing Jeans , Ari Kim transforms a single pair of worn jeans into a new body through knots and bindings. The work reduces traces of the wearer while retaining the rhythm of seams and creases. Shifting focus from identity to structure, the piece considers the knot as a basic technology of relation and a way of slowing time after production ends. The work asks how clothing might endure once function is lost and how a quiet object can remain exact without becoming decorative.
Asaki Kan asakikan
Anoushka Khandwala is an artist and writer whose practice explores memory, migration and marginal lives, informed by diasporic experience. Working through collage, printmaking and painting, Khandwala assembles fragments into syncretic images that preserve difference while forging new visual dialects. Painterly gestures, drips and traces index the body in flux, suggesting presence and absence, oscillation between identities and the instability of memory. In A Hundred Images of My Great Grandmother , Anoushka Khandwala reflects on memory, migration and movement through a photograph of a grandmother never personally known. The work asks how remembrance can be formed without direct encounter, whether through likeness carried in family features, inherited garments, or objects passed across generations.
Antoine Plainfossé
Asaki Kan is a London-based artist whose practice spans sculpture, installation, glass, photography, printmaking, video and poetry. The works invite multisensory experience through sight, sound, smell, taste and touch. Interested in transparency and invisibility as both concept and material, Kan creates spaces where memory, dream, illusion and reality converge, forming what Kan calls ‘timeless time in spaceless space’. ...And is an experimental sculptural installation comprising four cassette tapes and residues. Plastic bags are cast in resin, their creases preserved and made visible. The residues constitute an essential part of the work.
Antoine Plainfossé’s interdisciplinary practice spans film, photography, painting and installation. Plainfossé’s work explores themes of identity, the beyond, movement and skateboarding culture. Through an ongoing investigation of duality and the shadow self, art becomes a means of introspection. Personal fragments surface through this process, shaping the abstract and reflective nature of the resulting pieces.
Sky Cross delves into ideas of the beyond, reflecting Plainfossé’s Christian faith.
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