Sculpture
Painting / Drawing
Performance
Sculpture
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Thorns & Pansies, and Pansy Anchor 2025
Surgical Study 2025
Can You Feel My Diasporic Love? 2025
Chronicles of an Emergent Terrain: An Eco-Temporal Sculpture 2025
Iron paint and duo-chrome spray paint on PLA, metal chains, carabiners, epoxy glue, putty
Oil on canvas 40 × 30 cm
Film, ceramic, touch and sound-responsive sculpture, fruit, piano, sound Dimensions variable
3D-printed polymer, sand, preserved botanical fragments 70 × 120 × 90 cm
100 × 23 × 4 cm 60 × 75 × 20 cm
Chao-Chun Kung
Catriona Clark abstract_artstudent
Chang Gao gao.chang_rca
Chao-Chun Kung is a London-based interdisciplinary designer and artist working across algorithmic sculpture, data narratives and ecological materials. His projects materialise as 3D-printed forms, bio-composite installations and speculative infrastructures, including Terra Sculpt , which explores biodegradable blends from discarded matter, and Energy Bridge , which integrates algal fuel cells into public space. Chronicles of an Emergent Terrain is a sculpture that weaves together future environmental data and artistic imagination. It transforms metrics such as wind patterns, light diffusion and urban heat signatures into organic strata of form, creating a poetic archaeology of a city yet to come. Each layer of data becomes a sediment of time, inviting viewers to explore the intersection between the rational and the poetic.
Cezar Lord lord.cezar
Catriona Clark is a queer intermedia artist based in Edinburgh. Clark creates interdisciplinary works that reclaim everyday objects through archival references and pop art aesthetics. Transforming them into bold statements of queer love, Clark’s practice memorialises hidden histories while envisioning ever-evolving futures shaped by storytelling and collective transformation. Combining the form of an anchor with a pansy seed head, Thorns & Pansies explores the tension between grounding and the ephemerality of oral histories. The anchor fixes yet allows drift and return, while the pansy embodies both weight and transformation. Made of blackened metal, chains and spikes, the sculpture becomes a suspended poem, extending the language of the Pansy Anchor towards survival and rebirth.
Dr Chang Gao is a Berlin and London-based artist working across robotics, AR, bioelectric systems, AI, sculpture, film and immersive performance. The practice explores desire and bodily affect as subversive forces, resisting censorship and algorithmic control. Through intimacy, eroticism and supernormal stimuli, Gao exposes biases embedded within technopolitical and anthropocentric AI systems. Can You Feel My Diasporic Love? is rooted in experiences between China, Berlin and London. The work reflects on longing, fragmented identity and the shifting boundaries of belonging. By activating intimacy with more-than-human forms, it dissolves borders between self and other, body and instrument, sound and memory.
Cezar Lord is a self-taught artist who has developed his practice over the past decade, exhibiting internationally and locally. His work explores human nature and the psyche through expressive abstraction, using distorted figures, textured paint and carefully balanced colour palettes. Lord’s compositions evoke depth and emotion, inviting viewers into a contemplative connection. Surgical Study represents visual emotion and psyche through the reference to a post-surgery patient. It creates an imbalance of intensity and visual provocation using a subtle yet striking colour palette and surface.
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