Installation
Installation
Painting / Drawing
Painting / Drawing
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Object.crowStone 2025
Unregistered Accent Detected 2025
White Rabbit 2025
Extrusion (Tongue) 2025
Digital screen, stone, CO₂ sensor, Arduino Uno 150 × 200 × 100 cm
Printed vinyl on aluminium panel 40 × 60 cm
Oil and funky foam on board 35 × 25 × 5 cm
Oil on canvas 40 × 40 × 5 cm
Duncan Paterson brother_sjur
Dylan White dylanwhiteart
Duncan Paterson is a PhD artist and researcher at the Slade School of Fine Art, University College London. Working with open-source tools, machine learning, LiDAR and ecological data, Paterson explores entangled multispecies relationships in Hackney Marshes. Blending fieldwork, sensing and co-creative methods, the work creates site-specific sensoriums that reflect ecological change and reciprocity. The work features a stone taken from the banks of the River Lea, symbolising the shrinking habitat of Hackney Marshes’ crow community. A nearby screen projects the stone’s silhouette, which shifts in response to carbon dioxide from viewers’ breath. This feedback loop transforms human presence into distortion, accompanied by a drone soundscape inspired by La Monte Young’s Trio for Strings and Wagner’s Das Rheingold , recalling Odin’s ravens, Hugin and Munnin that traverse the world to bring back insight.
Dwa Khalid dee_khalid8
Dylan White is a London-based painter whose practice explores humour, irony and material experimentation. Combining oil paint with garish, childlike materials sourced from pound shops. Through playful collisions of the refined and the tacky, White challenges aesthetic norms, embracing a deliberate wrongness to explore taste, spontaneity and cultural contradiction. Part of a larger body of fifty works produced during university, ahead of the degree show, White Rabbit seeks to embody authenticity, carrying the sense of something lived-in with overlapping stories. The process relied on experimental interventions such as gluing foam or stickers to the surface and later removing them, creating traces of alteration and revision. This approach frames the work as both a search and a journey.
Dwa Khalid is a Bahraini artist whose practice explores the intersections of cultural identity, visual language and contemporary social commentary. Using satire and conceptual design, Khalid reimagines public signage and bureaucratic formats to examine how systems of power and cultural identity shape everyday life. A satirical warning sign from the fictional Authority of Cultural Compliance flags non-standardised speech patterns as a breach of the ‘District Harmony Protocol’. Mimicking official public signage, it critiques how language can become a tool of social control under the guise of order and unity.
Dylan Doe
Dylan Doe creates paintings that draw on the unconscious to explore his interest in posthumanist themes, including how the body evolves in relation to the objects and technologies it produces, the merging of organic and inorganic forms and speculative visions of where such transformations may lead.
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