Film / Video
Sculpture
Mixed Media
Performance
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Lost In Iteration I: The Dream That Dreams 2025
UnityBeak 2025
The Fold of Remnants 2025
ME & GODDESS & ME 2025
Video 4 min 26 sec
Mini rubber ducks 160 × 174 × 134 cm
Headpiece and video 24 × 26 × 17 cm 5 min 20 sec
Performance (Video)
Facundo L. Yebne flymiami.art
Fanglin Luo frozen424
Esther Gronenborn esthergronenborn
Facundo L. Yebne (FLY) is an Argentinian-born, Miami- based artist known for transforming thousands of brightly coloured rubber ducks into sculptures and installations. Using resin and this playful material, FLY creates monumental public works and intimate pieces that explore themes of unity, resilience, identity and love. Iconic projects such as a rainbow-heart for Pride or portraits of pop culture figures invite audiences to rediscover joy, nostalgia and community. UnityBeak is a monumental public sculpture composed of over 14,000 hand-placed rubber ducks, forming two towering figures named Hope and Resilience. Standing beak to beak, they share an unspoken dialogue of love, courage, and unity. Their colours merge into the Pride flag, affirming that collective strength grows from diversity. The sculpture calls for connection and reflection, inviting memories of childhood play, the healing potential of art, and the importance of peace within communities.
Fan Pan fanpanda46
Esther Gronenborn is a filmmaker and visual artist based near Berlin. Following an acclaimed film career, Gronenborn has expanded into visual and media art, working with photography, digital collage and AI-generated video installations. Integrating cinematic language into digital media, Gronenborn explores boundaries between memory, imagination and transformation. Lost in Iteration I: The Dream That Dreams is a video installation exploring how perception, authorship, and the collective mind shift under the influence of generative AI. Flickering images loop endlessly: faces blur, multiply, dissolve; bodies twist into impossible forms. Marked by distortions, textures, and algorithmic errors, the work proposes a dreamlike inquiry into whether meaning lies in creation or reception, and whether AI might surface visions from a collective subconscious now shared by all.
Fanglin Luo is a London-based emerging artist and curator. Working across performance, painting, photography and mixed visual media, Luo explores identity through a body-led fine art practice shaped by a transcultural perspective. Her works reflect on feminism and the complex relationship between self and society, using the body as both medium and subject. Inspired by walking alone at night in London, Fanglin Luo transforms herself into mythological goddesses, particularly Aphrodite, often seen as a softened echo of the powerful Inanna, goddess of war and desire. Through ritual and embodiment, Luo traces Aphrodite’s shift from passive beauty to awakened force. The work becomes a reclaiming, a celebration of courage often forgotten, where the goddess emerges as a vessel for female willpower, resisting the roles society prescribes.
Fan Pan is a cross-disciplinary artist working between contemporary jewellery and fashion design. Engaging with metal, leather and especially paper, Pan investigates material structures and their expressive potential. Central to the practice is the ‘wearable book’, using folding, recording and rewriting to explore shifting identity and cultural belonging. The Fold of Remnants is a two-part series using paper to reflect on identity across physical and virtual dimensions. Burnt Remnants of Identity presents a scorched paper headpiece, its torn edges and faded scripts evoking a fragmented manuscript. The Fold of Awakening unfolds digitally, following Sid, a sentient seed paper, on a journey of self-realisation through folding.
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