Performance
Installation
Sculpture
Painting / Drawing
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Dare to Walk Over Me 2024
Ami, Amma and Rania 2025
EVERLASTING MOTION MONOLITH I 2024
Emergence 2025
Eggs and fabric 300 × 170 × 5 cm
Graphite on Arches paper, plexiglass, fabric with gold thread, bead embellishment, gold thread, digital photograph on silk, audio 180 × 250 cm
Nickel chromed composite fibre 120 × 90 × 80 cm
Oil on canvas 220 × 190 cm
Farwa Tahir farwatahir_art
Felipe Escudero felipeeescudero
Farnoush Amini aminifarnoush
Fernando Cari fernando.space
Farwa Tahir is a London-based multidisciplinary artist working across painting, textile, photography, moving image, sound and installation. Using inherited fabrics, photographs, oral recordings and everyday objects, Tahir reflects on intergenerational memory, cultural inheritance and the layered realities of the South Asian and Muslim diaspora. Drawing from her own positionality, she addresses racism, patriarchy and hybridity while critiquing the limits of Eurocentric discourse in shaping identity. Ami, Amma and Rania is a multisensory installation exploring memory, matrilineal connection, and cultural inheritance across three generations of women. The work transforms intimate memory into immersive experience, accompanied by audio of the mother singing. Through fabric, drawing, objects, and voice, it traces fragile yet enduring threads of South Asian womanhood and the passage of memory across generations.
Felipe Escudero is an Ecuadorian-Brazilian architect and designer based between Quito and Madrid. Known for his contemporary and surreal aesthetic, Escudero creates homes, restaurants, multifunctional spaces and laboratories that draw inspiration from South America’s landscapes, from the Andes to the Amazon. Using clean, organic forms and innovative materials, his practice explores the balance between futuristic vision and ancestral knowledge. EVERLASTING MOTION MONOLITH I presents metallic fluid sculptures that embody continuous transformation. Made of refractive nickel yet evoking natural phenomena, they question the boundary between what is called natural and what is artificial. Mirrored surfaces adapt to their surroundings, camouflaging and fracturing space, while distortions generate glitches that expose tensions between object, context, and perception.
Farnoush Amini is a London-based multidisciplinary Iranian artist whose practice draws on lived experiences of war, revolution and human rights struggles. Working with materials such as human hair, fabric, clay, concrete and feathers, Farnoush reshapes familiar objects to evoke entrapment and displacement. Through symbolic gestures and material transformation, Amini challenges political, religious and cultural divisions. Dare to Walk Over Me reflects on the thresholds of life and death in physical, emotional, and psychological terms. It addresses gender bias, racial and religious discrimination, and the ideology of patriarchy, all bound by power and control. The egg represents life and fertility; black is used in Islamic mourning and religious banners. White is used in burial rituals across traditions and signifies spirituality.
Fernando Cari is a British artist living and working in London. His work aims for an equilibrium between nature and the constructed landscape. Rooted in an exploration of the senses, his painting leads the viewer into a state of contemplation and allows them to experience the haptic essence of the painted surface. In Emergence , Fernando Cari reimagines the canvas as a site of collision between the virtual and the organic. Pollen erupts across the surface, generating a sense of movement and transformation. Hard-edged geometries speak to digital systems and technological control. The work navigates the friction between precision and impermanence, creating a space where digital certainty dissolves into organic traces.
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