Installation
Installation
Painting / Drawing
Painting / Drawing
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RUNBOX Horse 2025
Excavation 0.2 2024
Holding Hands 2025
Encore 2025
Mixed media 25 × 12 × 12 cm
Installation 160 × 160 cm
Oil on linen 70 × 70 × 2 cm
Oil on canvas Diptych, each 120 × 90 cm
Harriet Horner harriet.horner
Hannah Hornby hannahhornbyart
Hanne Dearden-Hellawell hanne_hellawell Hanne Dearden-Hellawell, a contemporary oil painter based in London, explores life cycles through a surrealist lens. Inspired by fungi, caves, moss and the human body, Dearden-Hellawell’s paintings depict decomposition and regeneration, uncovering beauty and hope in natural processes. Intertwining narrative and abstraction, the works act as memento mori, reflecting on love, loss and transformation. Holding Hands envisions two figures depicted as ethereal apparitions, their ghostly forms intricately punctured with droplets inspired by the guttation of fungi. This artwork reflects the theme of a fading life, memory, or relationship, decomposing and withering, yet paving the way for the emergence of a beautiful new chapter, envisioned as fungus breaking down matter into new life.
Harriet Horner is a British artist who creates layered oil paintings rooted in myth, memory and psychological archetypes. Beginning with dreamlike drawings, Horner develops fluid, shape-shifting figures that evoke monsters as fragmentary presences born from imagination. Through a process of building and erasure, Horner transforms surfaces into luminous palimpsests that explore the thresholds of visibility, disappearance and psychic unease. Encore presents a diptych of hybrid figures suspended in a charged moment of ambiguous ritual. Rendered in layered oil, the painting elicits a sense of both concealment and emergence, its surface a palimpsest through which veins of red pulse like an underlying life-force. Horner’s work navigates the porous boundary between the subconscious and the real, animating unresolved psychic landscapes where monsters take shape not as threats, but as intermediaries of transformation.
Hanfei hanfei_519
Hannah Hornby is a multidisciplinary artist working with sculpture, sound and writing to examine the ties between humanity, nature and machines. Drawing on fiction and mythology, Hornby explores repetition, decay and material cycles through kinetic sound installations and sculptural forms. Hornby investigates unsustainable materials such as concrete, creating works that question our histories, futures and the fragile systems shaping collective existence. Excavation 0.2 is an installation that investigates post- human archaeology by questioning the widespread use of unsustainable industrial materials. These materials outlive their makers, taking on a relic-like agency in the future. The work also explores repetitive systems, from human behaviour to machine processes and natural cycles of growth and decay, expressed both visually and through sound.
Hanfei is an artist duo working in kinetic art and sculpture. Hanfei’s practice connects kinetic art with historic mechanics, often drawing on traditional inventions that are modernised and reinvented. Interaction is a key element, and the aim of the work is to provoke audiences of varying ages to transport back in time to child-like playfulness and curiosity. RUNBOX Horse blends traditional aesthetics with modern technology, using simple yet thought-provoking visuals and interactive features to explore the complex relationship between technology and humanity. The work also encourages audiences of varying ages to reconnect with a sense of child-like playfulness and curiosity.
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