Installation
Installation
Photography
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Sub-Aqua Nymphomaniac 2025
The Heart of Bacchus 2025
Colors in an Ordinary Day #1 2025
Life Lesson 2023
Wooden framework with Perspex, wire, assorted recycled, sewn,
Mixed media 144 × 292 cm
Archival pigment print on canvas 73 × 61 × 2 cm
Photograph 60 × 50 cm
knitted fabric 280 × 180 cm
Hyunjun Chang grymc.art
Holly Booth cock.twerk.blancmange
Hyunjun Chang, a South Korean artist, works with light and data to create digital paintings that are later translated onto canvas. Through layering colour, algorithmic chance and virtual gesture, Chang reconstructs memory, urban rhythm and emotional tension as pixelated visual poetry. Chang’s practice interrogates originality and copy, exploring how non- material data acquires aura and proposing a visual commentary on the intersections of technology, emotion, the virtual and the real. This piece expresses the sensations and emotions of an ordinary day through vibrant colours. Awakening from violet dreams, the protagonist walks along a lavender- blue sky road towards work. In a grey office, reddish- black coffee is sipped amidst dark blue tasks and crimson phone calls. A green-scented breeze clears the mind; the sky, painted in serene sky blue, invites a pause at the beauty of subtle pink wildflowers. Moments of daily life are shared over a brown-hued meal, quietly bringing the day to a close.
Hongil Yoon and_the_raven
Holly Booth is a queer neurodivergent sculptor and textile artist. Booth creates large-scale installations that transform fabric into flesh and architecture. Working through assemblage, performance and textile forms, Booth explores concealment, exposure and the fragile boundaries between play, sexuality and power. Booth’s practice captures fleeting impulses and unconscious desires that blur the line between humour, horror and vulnerability. Sub-Aqua Nymphomaniac takes the form of a wooden fish tank filled with white fabric fish skeletons and a shark–stingray hybrid bound in a straitjacket. Humorous yet unsettling, the work explores the overlap between imaginative play and sexual development, turning innocence into spectacle. The hybrid figure, admired from its turquoise enclosure, hints at becoming a societal symbol through morbid curiosity.
Ian Hale
Hongil Yoon is a London-based artist whose practice explores the tension between the individual and the collective, addressing isolation, memory and identity loss at the boundary of the digital and the real. His work reflects on trauma, vulnerability and recovery, framing art as a site for commemorating invisibility and for navigating the fragile thresholds between reason, madness and human connection. Channelling the mythic essence of Bacchus, this work traces the tension between mediated calmness and eruptive madness. By integrating video into the installation, it creates dialogue between analogue and digital media, inviting free movement and autonomous reflection while rethinking the relationship with the painted surface.
Ian Hale, a poet and internationally published photographer, is also a recognised author, advocate, broadcaster and professor of Neurodiversity. Hale creates work that reflects the emotions of the often overlooked neurodiverse community. Through poetry and photography, Hale gives form to inner states of feeling, using art as a means of expression and connection that challenges marginalisation while celebrating diversity and resilience.
The pieces are seen, the players are not. It is about what the media hides.
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