Film / Video
Mixed Media
Painting / Drawing
Film / Video
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To Swallow a Donkey
Floral Soul 1
Unmapped
A Flicker in the Spiral of Time 2025
Three-channel video with sound 10 min 32 sec
Pressed flowers on canvas 187 × 60 × 5.5 cm
Acrylic and oil on canvas 100 × 100 × 1.5 cm
Video and cinematic installation 3 min
2025
2024
2025
lulu.jbs.movingimage Lulu Baker-Samson
art.l.peryer Ludmila Peryer
lornafreytagart Lorna Freytag
llyr.evans Llyr Evans
Ludmila Peryer is a portraitist, illustrator, teacher and designer. Working across painting and illustration, Peryer balances abstraction and realism, exploring form, movement and emotion through subjects ranging from portraits and still life to large-scale works. Peryer’s art seeks to capture the tension between control and chaos, creating pieces that resonate on both personal and expressive levels. Unmapped reflects the raw and untamed power of nature, vast, shifting and beyond human control. Inspired by forces that shape the Earth without pause or permission, the work evokes landscapes that resist boundaries and defy containment. Through layered textures and abstract forms, the painting suggests terrain that cannot be mapped, governed or subdued, serving as a reminder of nature’s enduring force and humanity’s fragile place within it.
Lulu Baker-Samson is a moving image artist based in London. Working with layered visual narratives, Baker- Samson explores cinematic language and visual metaphor to create unstable realities that disrupt linear storytelling. Baker-Samson’s practice reflects on how meaning falters and transforms, using moving image to open new possibilities of perception and reimagine the stability of cinematic space. A Flicker in the Spiral of Time grew from fascination with an insect trapped in amber. The insect becomes a metaphor for suspension in time, raising the question of how to endure as only a flicker. Two angled projections create simultaneity, drawing the gaze upward like stargazing, evoking awe and recognition of larger forces. Amber, spirals and sound merge to explore fragility, impermanence and consciousness, while the installation resists fixed categories.
Lorna Freytag is an artist and illustrator who creates human forms from pressed flowers, reflecting on the connection between people and nature. Using hand- collected blooms pressed through traditional methods, Freytag embraces even the imperfect petals that brown or fade. The works transform fragility into strength and celebrate change, capturing the beauty of resilience and the quiet stories held within natural forms. Floral Soul 1 holds multiple layers of meaning. At its simplest, the form references Lorna Freytag’s own shadow on a sunny day. At a deeper level, the flowers symbolise people, memories, emotions and the passage of time. They are ever-changing, impermanent and varied, with imperfections that mirror human experience. Like people, the flowers eventually fade, leaving behind something quiet and beautiful.
Llyr Evans’s practice draws on archival materials and storytelling to reframe history and memory. Combining research, lens-based media and sound, Evans explores the emotional and cultural dissonance that arises when familiar rituals or actions are reframed. Working between personal and collective narratives, Evans uses performance and immersive methods to investigate how identity, value and memory are continually reconstructed. To Swallow a Donkey is a three-channel video installation exploring satisfaction and the dissonance between expectation and outcome through allegories of desire, refinement and execution. The work interrogates how context reshapes meaning, with staged and documentary styles reframing familiar acts into new narratives.
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