Sculpture
Photography
Installation
Painting / Drawing
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Making a Point
Gaze of Fortitude
Junk Time + Pipeline
Intertwined Souls
Clay, plywood, steel wire 300 × 10 × 10 cm
81.3 × 81.3 cm
Metal, concrete, silicone, resin, polypropylene and everyday objects 100 × 70 × 20 cm
Acrylic and oil on canvas 150 × 200 × 3.5 cm
2025
2022
2025
2025
Nyamtselmeg Myagmarnaran & Nyamtsengel Myagmarnaran
niloofar.asadi62 Niloofar Asadi
nuo_nora Nuo Yang
ellaxemma.art
Niloofar Asadi is an Iranian-American filmmaker and visual storyteller working across film, photography, visual art and theatre. Drawing on this interdisciplinary background, Asadi creates character-driven works that explore identity and self-representation as sites of negotiation and cultural dialogue. Her practice seeks to foster shared understanding and connection, reflecting a fusion of influences and a deep engagement with the complexities of belonging. resistance. Inspired by Gordafarid, a mythical heroine in ancient Persian literature who defended Iran against raiders, the work disrupts binary views of gender by navigating multifaceted social roles. Using her own body as a canvas and site of performance, Asadi examines the transformation of identity and its intersections with control, agency and resistance. Gaze of Fortitude explores the intricacies of the female experience and portrays an enduring journey of
nikki.holy Nikki Holy
Nyamtselmeg (Emma) and Nyamtsengel (Ella) Myagmarnaran are twin Mongolian artists based in London and Ulaanbaatar. Working collaboratively through painting, their practice draws on the spiritual intuition of twinship to explore identity, relational dynamics and the unseen threads that bind individuals. Their gestural works merge control with spontaneity, creating a shared visual language that reflects flux, connection and the transient nature of being. Intertwined Souls meditates on the quiet tension between similarity and difference, and on the transformative power of connection that honours both. Two figures appear alike yet remain distinct, each unfolding with individual rhythm and depth. Inspired by the lotus flower as a symbol of resilience and growth, the painting reveals forms that rise from abstraction, rooted together but blooming apart.
Nuo Yang is a Chinese artist based in London. Working primarily with metal, silicone, and found objects, her practice explores the lives of objects and how everyday commodities may evolve into future cultural heritage. Drawing from an archaeological perspective, Yang investigates materiality, temporality and the shifting meanings embedded within objects. Junk Time + Pipeline reimagines disposable objects as contemporary heritage. Plastic and mass-produced products stamped ‘Made in China’ are cast in concrete and translucent silicone, echoing preservation techniques used in historical architecture. Drawing on personal memory and global supply chains, the project frames commodity debris as archaeological material, revealing how consumer culture, though fleeting, leaves lasting emotional and ecological traces.
Nikki Holy is a sculptor whose practice engages plaster, wood, clay and paper to explore materiality through stillness, repetition and precarity. Shaped by training in ceramics and glass, as well as slip casting and plaster sledging, Holy’s tactile, process-led works investigate the physical and temporal qualities of materials, reflecting on fragility, endurance and transformation. Making a Point arranges slip-cast ceramic cones in a curated formation that invites a pause before naming, before words confine perception. Through balance, suspension and repetition, the installation makes a familiar object less recognisable, opening space for silence and stillness in the present moment.
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