Photography
Painting / Drawing
Painting / Drawing
Sculpture
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330
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Point, Line, and Plane
Behind Closed Eyelids
Reflection 2023
Everything Worth Knowing Is Not Yet Known
Inkjet print on paper 21 × 200 × 10 cm
Oil and acrylic on wood panel 61 × 92 × 5 cm
Acrylic on linen canvas 140 × 100 × 3 cm
Photographic lightbox, blown glass, leather, steel 180 × 30 × 30 cm
2024
2025
2024
Sohee Goo
Sophia Rosenthal
Stephanie Teng
goosoheegoo
Sophie Green
sophiaxrosenthal
stephinitely.tengy
Sohee Goo works across photography and installation. Rooted in East Asian aesthetics and philosophical inquiry, Goo’s practice meditates on perception, value, and interpretation. Using ordinary yet symbolically charged objects, notably the egg, she creates reflections on fragility, transformation, and cyclical existence. Alongside this, Goo digitally transforms natural imagery into three- dimensional forms, questioning the boundary between the real and the artificial. Point, Line, and Plane explores the geometric principle by which points form lines and expand into planes, using abstraction to convey interconnectedness and existential meaning through fundamental artistic elements. Blurry black-and-white images make objects difficult to identify, while vague points of connection obscure whether elements are linked or separate. The series suggests that experiences, whether deliberate or accidental, are ultimately interconnected, shaping identity and collective existence.
sophiegreenfineart
Sophia Rosenthal’s work explores memory, identity, migration, and belonging. Drawing from personal photographs, Rosenthal examines the tension between photography and painting, where image and gesture dissolve into layered and shifting meanings. Born in South Korea and raised in the Philippines, her diasporic background informs a reflective process that embraces slowness, flux, and disruption. Behind Closed Eyelids is inspired by lost and refound childhood photographs, exploring belonging, memory and cultural displacement. Rooted in an image taken in Korea before the turn of the millennium, the work reflects on migration as a condition that always involves loss. The piece contemplates childhood through remembered fragments and stories, considering memory not as static or confined to the past but as something that resurfaces and reforms.
Stephanie Teng’s practice moves across sculpture, photography, video, sound, and text, investigating themes of belonging and erasure, presence and absence, grief and transformation. Rooted in experiences of generational displacement, cultural hybridity, and collective healing, Teng examines how perception is shaped by systems of control, how patterns become rituals, and how speculative narratives of ecology and home can be written through decolonial lenses. Everything Worth Knowing Is Not Yet Known reflects on the limits of knowledge in an age shaped by hidden systems whose outcomes are trusted. The sculpture draws on the black box paradox in machine learning and cognitive science, showing how perception yields to automation and how answers replace understanding. The work questions whether mystery, once central to experience, is being displaced by prediction and control.
Sophie Green is a British artist whose practice bridges fine art, environmental activism, and social awareness. Working primarily in acrylic, Green creates hyper-realistic wildlife portraits that evoke empathy and reflection on humanity’s impact on nature. Her work aims to foster conservation and collective responsibility through visually arresting encounters. Reflection depicts a solitary chimpanzee in a moment of deep introspection. The work highlights the uneasy intersection between reverence and objectification; by placing the chimpanzee on a plinth, Sophie Green raises questions about how wildlife is aestheticised, exploited and commodified. Reflection reframes animals as active participants within cultural and ethical discourse, challenging assumptions about interiority and agency in contemporary art.
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