2025 ArtEvol Catalogue

Installation

Sculpture

Painting / Drawing

Painting / Drawing

345

346

347

348

Tinder Testimony

Geometry Man

Almost There

2025 Water Pattern Research -1

Bas relief on tufa, steel and plaster plate 210 × 120 × 90 cm

Bronze and wood 160 × 50 × 50 cm

Oil on linen 130 × 170 cm

Acrylic on canvas 40 × 57.6 cm

2024

2025

2025

thibaultcasteigts Thibault Casteigts

tian.rossana.wong Tian Rossana Wong

litianqitianqi Tianqi Li

Thibault Casteigts is a French artist whose practice spans installation, painting, video, writing, and field research. Drawing on experience in performance and collaborative investigation, Casteigts explores collective storytelling, institutional memory, and symbolic power. Using archives, interviews, and speculative fiction, Casteigts’s projects examine how narratives persist across time. The work consists of a series bas-reliefs created on the ruins of restored façades in the centre of Le Mans. The models for the reliefs, placed in the nooks and details of the ornamentation, are based on self-portraits taken from Tinder profiles of residents living within a one-kilometre radius of the site.

Tian Rossana Wong’s practice draws from music, poetry, ancient art and architecture to explore ideas of humanity through Taoist and Roman Catholic philosophies. Engaging with notions of harmony and transformation, Wong expresses spiritual and emotional experience through material form. Using calligraphic gestures across media, she reflects on the social and psychological traces shaped by the environments we inhabit. Almost There reflects the futility of conflict. It questions the idea of victory and the human cost beneath it. Calligraphic layers and stained-glass tones evoke an unrestful, spiritual experience.

thomashawson Thomas Hawson

Tianqi Li is an artist whose practice centres on painting while extending into installation, found objects, and mixed media. Through these varied perspectives, he continuously probes the essence of painting—questioning its inherent forms and reflecting on its cultural connotations and institutional frameworks. Li’s works are informed by both historical narratives and contemporary realities, often revealing the complex tensions between will and discipline.

Thomas Hawson’s practice spans wood, bronze, ceramics, drawing and film photography. Hawson creates installations, actions and images that explore the contrasts between rural and urban experience. His research into Icelandic craftsmanship and making culture informs a reflective engagement with material heritage, positioning the act of making as both subject and muse within his work.

A description of water.

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