Painting / Drawing
Painting / Drawing
Sculpture
Film / Video
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Jelly Babies Plus One 2025
2025 Junction
Kubba 2025
Eating At Yt’s & Eating With Yt
Lapis lazuli oil on linen 80 × 120 cm
Acrylic and oil on canvas 192 × 117 × 3.5 cm
Walnut wood and oil 49 × 33 × 35 cm
Video 1 min 32 sec 2 min 20 sec
2024
tthorsson__ Tomas Thorsson
yt_yintong Tong Yin
Tina Jane Hatton-Gore
tomallwintonart Tom Allwinton
tinajanecamdenlock
Tomas Thorsson is an Icelandic designer-artist whose practice merges handcraft with advanced technologies. Working across AI, photography, hand painting and reclaimed materials, Thorsson embraces randomness within his process to invite chance and unexpected outcomes. His work explores the balance between control and spontaneity, tradition and innovation. In Icelandic, ‘kubba’ means to build by assembling toy blocks, a term children often use when inviting each other to play. The Kubba side table embodies this sense of playfulness. These wooden pieces, sourced as off- cuts from furniture production, are reimagined in a new context. Construction begins at the centre with a single block and grows outward as more are added. The form emerges gradually, shaped by intuition and discovered through the act of making.
Tong Yin (yt) is a London-based multimedia artist working across drawing, painting, video, and textile design. Drawing inspiration from daily life and immediate surroundings, Yin’s practice often centres on gastronomy-related aesthetics. Food functions both as a material and as an act of eating. Through this lens, she explores personal expression, lifestyle, cultural heritage, social connection, and reflections on identity and desire. Eating at Yt’s depicts an imagined eating process led by a full set of textile tableware designed and made by Tong Yin. In response to gentrification in East London, Yin transforms observations on society, class, and consumption into tableware merging function with social commentary. Eating with Yt continues this exploration, reflecting on dating app culture, gentrification, and gastronomy through tableware design.
Tina Jane Hatton-Gore’s practice focuses on the materiality of painting, its links with printmaking, and the space where the life of vibrant matter meets the aura of inanimate artefacts. Hatton-Gore’s work gauges connections between human expression and the totems chosen to surround themselves, exploring how material, surface, and composition convey meaning. A selection of Victorian wax dolls is enlarged, inverted and simplified through a painting technique that reconstructs the etching process of combining intaglio with aquatint, producing a white halo effect set within a textured dark ground. Lapis Lazuli oil paint is applied in a dry, undiluted state, creating uneven and complex textures across a gessoed linen substrate.
Tom Allwinton is a London-based artist. Combining grids, collaged textures, torn fabrics, and recurring icons, Allwinton explores the tension between order and disorder. The work draws from urban rhythms, where geometry meets tactile imperfections, reflecting cultural memory and human perception of space. Junction explores the meeting point between the spiritual and the material, the seen and the unseen, presence and absence. The work reflects on the moment when early humans first altered nature, separating from its eternal rhythm and developing new forms of self-awareness that gave rise to language, consciousness and the constructed world. The painting contemplates this separation and questions its impact on past, present and future.
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