Sculpture
Installation
Sculpture
Film / Video
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Nature’s Metronome—Water 2025
While I was There
Healing 2022
Moley 2025
Ceramic 38 × 16 × 16 cm
Porcelain, video, brick, resin 25 × 12 × 12 cm Video: 12 sec Sculptures: each 22 × 10 × 8 cm
Acrylic, bark, gesso and 24-carat gold leaves on wood 95 × 75 cm
Single-channel video, colour, sound 7 min 34 sec
2025
Vikki Neill
i_greca_ Vitaliia Fedorova
v.eron_a Verona Shi
Vinko Kalcic
vikkineillart
vinko.kalcic
Vikki Neill is a mixed media artist from Bedfordshire. Neill often draws on personal experiences, and explores a variety of media and processes with a particular focus on 3D work and installations. Art is approached as a therapeutic process, allowing reflection and engagement through creative exploration. This installation forms part of Neill’s current body of work, which reflects her experience of postnatal depression and opens up a conversation about mental health and recovery. A porcelain brick sculpture underscores the vulnerability experienced during childbirth and a medical procedure carried out without consent. A video documents Neill pressing malleable porcelain into its final form. Three brick-and-resin sculptures are chiselled and cracked, then repaired with clear resin, making both the hidden fractures and the process of healing visible.
Vitalia Fedorova is a London-based multidisciplinary artist. Working primarily with solo filmmaking and video installation, Fedorova explores introspection and the poetic-social spectrum, transforming personal experience into collective reflection. Drawing from public and private archives, she reworks intimate narratives into shared memory, examining the shifting boundaries between the individual and the collective. Moley observes the ghostly interior of a house where language and geography remain partially obscured. With no traditional protagonist, the house itself becomes the central presence. Long, still frames and a rhythm shaped by sound and silence convey an atmosphere thick with memory. Viewers move through a DIY workshop, narrow hallways and a snow-covered garden, where each space suggests presence through absence.
Verona Shi is a ceramic artist based between Hong Kong and London whose work explores the beauty of the natural world through experimental glaze techniques and tactile surfaces. Grounded in craftsmanship and sustainability, Shi’s practice blurs the boundary between function and narrative, evoking organic forms that reflect the fragile relationship between humans and nature. In a world of accelerating technology and industrial growth, this project reflects a longing for stillness and a rethinking of time. Through observations of nature’s rhythms, such as withered trees and ocean waves, the work explores time as a dynamic, lived experience. Influenced by Wu Xing theory, ceramic forms are created using varied glazes, textures and firings, each piece holding a trace of time without fixed measurement.
Vinko Kalcic believes in the healing power of art—an energy that transcends boundaries to create something more beautiful, meaningful, and resilient. Kalcic‘s philosophy resonates with the ancient Japanese practice of Kintsugi, where the act of mending ceramics becomes a metaphor for healing and enlightenment. Healing draws inspiration from the healing power of nature and the symbolic resonance of trees. In many ancient cultures, trees were seen as living beings deserving of reverence. Rituals of forgiveness, including prayers, offerings or ceremonies, were performed before felling to honour the spirit of the tree. Rooted in this tradition, the work reflects a worldview in which nature is not a resource but a sacred presence to be approached with care.
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