Installation
Sculpture
Film / Video
Digital Art
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There Is a Wolf Here
Oxidation
2025 Between the Material and the Immaterial
A Melodic Frequency of Gravity
Wool, foam, scaffold, monitor 300 × 300 × 50 cm
Ceramic 30 × 30 cm
Single-channel video 4 min 59 sec
Sculptural digital tapestries
2025
2024
2025
Yaoze Li
myintrepidart Yiah-Ling Si
yeouls999 Yeoul Son
Yelyzaveta Martyniuk is a Ukrainian-born visual artist based in the UK. Martyniuk’s practice spans sculpture, digital media, and drawing, developed through ongoing experimentation. Central themes include identity, emotional depth, and transformation, explored through material and conceptual approaches. Oxidation is a surrealist ceramic sculpture reflecting the transformation of identity under social and temporal pressure. The work visualises how external forces leave subtle imprints on selfhood. A faint trace of yellow appears, symbolising fleeting joy and ambition, gradually muted by experience. Merging forms and pierced surfaces suggest emotional permeability, where boundaries dissolve and selves overlap. martyr1ls Yelyzaveta Martyniuk
Yaoze Li is currently based in Italy. Working with sculpture and installation, Li engages with the subtle and complex relations between humans and animals, often using organic materials such as hair and bone. Li’s works appear both fragile and powerful, evoking the tension between nature and human presence, while repositioning the symbolic resonance of animal identity in contemporary culture. Focusing on the human–animal relationship within industrial society, There Is a Wolf Here questions how animals are treated as resources, symbols or controllable entities. The installation stems from field research in a mountainous region once feared for wolves, now overtaken by machines. The wolf, once a symbol of danger, has vanished and has been replaced by silence and steel. The work asks how humanity defines nature and whether such definitions must be reimagined.
Yiah-Ling Si is a visual artist working with mobile photography and digital collage. Si explores themes of residue, reuse, reinvention, fiction, composition, and narrative, generating immersive cartographies of collective memory. Si’s works combine collaged and mosaiced rock photography with drawn elements, creating kaleidoscopic visual environments reflecting transformation, loss, and regeneration. This work emerges from alternate image scapes, ceramic roses and fragments of sewn fabric, which were originally crafted by the artist’s grandmother. They form sculptural and translucent assemblages. These digital tapestries become repositories of memory and material inheritance, where loss and renewal converge. The work blends natural, decorative, and abstract cinematic elements to create a sensory experience.
Yeoul Son is a multidisciplinary artist whose creative journey spans the realms of traditional Oriental painting and contemporary new media. Yeoul’s artistic practice is a critical examination of the process of converting phenomena into data. Through her work, she seeks to express the intricacies of data through vibrant colour, intricate visual landscapes, and the imagery of nature. This project reconfigures classical sculpture by overlaying real-time environmental data onto marble surfaces. Informed by post-humanist theory and ecofeminist aesthetics, the work treats air, temperature and dust as sculptural forces. The project offers a poetic reflection on how classical permanence dissolves under ecological flux, and how bodies are rewritten by the atmospheres they inhabit.
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