TIJANA KOJIĆ, SLIKARKA TIJANA KOJIĆ, PAINTER CRTEŽ KAO NAČIN IZRAŽAVANJA DRAWING AS A FORM OF EXPRESSION
Tekst/Words: Srbija stvara Fotografije/Photography: Serbia Creates T ijana Kojić je slikarka koja je izlagala na velikom bro- ju izložbi kako kod nas, tako i u inostranstvu. U svetu je već prepoznaju... – Posebno mi je drago kada imam priliku da čujem kako posmatrači doživljavaju crtež kao osnovnu nervaturu mojih radova i da je ovaj moj crtež verovatno plod podneblja na kojem se Ona je beogradska umetnica. Dobitnica niza nagrada i priznanja u oblasti slikarstva, crteža i grafike. Iza sebe ima 15 samostalnih i više od 150 grupnih internacionalnih izložbi
T ijana Kojić is a painter who has shown her works at nu- merous exhibitions, both in our country and abroad. She is already recognised around the world... “It is particularly pleasing to me when I have an opportu- nity to hear how observers experience drawing as the basic marbling of my work, and that this drawing of mine is probably a fruit of an area where it is particularly valued and nurtured as a form of expression.” She is a Belgrade artist who has received numerous awards and acknowledgements in the elds of painting, drawing and graphic arts. She has to date had fteen solo exhibitions and more than a hundred and fty international group exhibitions.
posebno cenio i negovao kao način izražavanja. Na koji način se srpska umetnička sce- na menja i gde stojimo u odnosu na svet- ska umetnička dešavanja? – Naša scena je raznovrsni sistem mnogih međusobno nekoherentnih svetova, utemeljenih u različitim polazištima. Akteri te scene uvek su bili zainteresovani da se uhvate u koštac sa novim idejama koje dolaze izdaleka, baš kao i da poniru u sopstvene kulturološke fundamen- te. Taj zahvat ide, dakle, i u širinu i u dubinu. U septembru se otvara velika retrospek- tivna izložba Marine Abramović. Šta za vas kao umetnicu znači ta izložba, a šta za lokalnu umetničku scenu i njeno me- đunarodno pozicioniranje? – Kada se ovako veliki umetnički događaji dešavaju, mislim da predstavljaju izvesne tre- nutke u kojima razlika između periferije i centra bledi i svet teži tome da postane multifokalan. Ta potencijalna multifokalnost je značajna za našu scenu. Uz to, imaćemo izuzetnu priliku da vidimo kako je slavna umetnica radikalne ideje obrađivala kroz sopstvenu praksu, predajući se umetničkom radu i ekstatički i entuzijastički. BBC je nedavno uvrstio Beograd u prvih pet kreativnih gradova na svetu i prepo- ručio upravo galerije i kulturne događa- je koje treba posetiti u našoj zemlji. Ko- je tri stvari biste vi preporučili turistima koji dolaze u Srbiju? – Posebno je zanimljivo videti naše „be-
In which ways is the Serbian art scene chang- ing, and where do we stand in relation to world events in art? “Our scene is a diverse system of many mu- tually incoherent worlds, grounded in varying starting points. The actors on that scene have always been interested in getting to grips with new ideas that come from far away, but also plunging into their own cultural fundamentals. This undertaking, thus, goes both into breadths and depths. A major retrospective exhibition of the work of Marina Abramović opens in September. What does this exhibition mean to you, as an artist, and what does it means to the local art scene and its positioning internationally? “When these kinds of major artistic events happen, I think they represent speci c moments during which the di erence between the pe- riphery and the centre begins to fade and the world strives to become multi-focal. That po- tential multi-focal quality is signi cant to our scene. Apart from that, we will have an excep- tional opportunity to see how this celebrated artist has processed radical ideas through her own practises, surrendering herself to her artis- tic work both ecstatically and enthusiastically. The BBC recently ranked Belgrade among the world’s top ve creative cities, and recommended galleriesandculturaleventsthatshouldbevisited in our country. What three things would you rec- ommend to tourists coming to Serbia as musts?
Tijana Kojić je kreativna ambasadorka platforme Srbija stvara . Platforma obuhvata sistemske mere za razvoj sektora kreativnih industrija i inovacija i jačanja kulturne diplomatije. Više na www.serbiacreates.rs Tijana Kojić is a creative ambassador of the Serbia Creates platform. This platform encompasses systematic measures aimed at developing the creative industries and the innovation sector, and enhancing cultural diplomacy. Find out more at www. serbiacreates.rs/
tonske utopije“, odnosno ono što su srpska i jugoslovenska arhitektura i spomenička skulptura dale u periodu od kraja četrdesetih do osamdesetih godina prošlog veka. Značaj te ar- hitekture je prepoznatljiv i prikazan je na izložbi u muzeju Mo- MA 2018. godine.
- It is particularly interesting to see our“concrete utopias”, or that which Serbian and Yugoslav architecture and monumental sculpture o ered in the period from the late 1940s to the 1980s. The signi - cance of this architecture is recognisable and was exhibited at New York’s MoMA in 2018.
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