nismo bežali od blagodati savremene teno- logije. Mogli smo da prikažemo ogroman broj filmskih plakata i inserata jer monito- ri omogućavaju da jedan smenjuje drugi. Naš muzej filma bitan je jer edukuje mla- de i sve goste Srbije o razvoju filma od samih početaka pa do kraja 20. veka. Ako vas interesuje kultura naše zemlje, poseb- no naša bogata kinematografija, izuzetno je važno da se informišete na pravi način i saznate kako se razvijala i sticala atribute po kojima je danas poznata u svetu – ka- že Pantelić. Pred publikom će svakodnevno biti Carska panorama , koja je sa ostalim ele- mentima iz predistorije filma na donjem nivou izložbe. Moći ćete da vidite Ediso- nov kinematoskop, kameru braće Limijer iz 1896. godine, prvu filmsku kameru bra- će Pate iz 1903... Tu je i štap Čarlija Čapli- na, Karl Malden... – Među legatima koje čuvamo u So- bi legata je i onaj Karla Maldena, koji smo 2016. godine u prisustvu unuke Karla Mal- dena otvorili na inicijativu našeg prijatelja Dena Tane. Njegova bista postavljena je dve godine kasnije jer je to bila želja i nas iz Kinoteke , ali i Dena Tane i Zubina Mehte, koji veoma poštuje rad našeg oskarovca. I sada dok mi pričamo, ispred Kinoteke se sa Maldenom fotografišu Beograđani i strani turisti – otkriva Jugoslav Pantelić. Dodaje da je priča o štapu Čarlija Ča- plina, koji je izložen na posebnom mestu, intimna. – Ta priča ima sve atribute intimne pri- če kad je u pitanju donator štapa. Na insi- stiranje darodavca ostaje intimna. Štap je bio lično vlasništvo velikog Čarlija Čapli- na, dobijen je od njegove ćerke, koja ga je predala našem filmskom radniku, a ovaj Kinoteci – kaže Pantelić. Postavka obuhvata i predmete iz legata Ljubiše Samardžića, Pavla Vuisića, Milene Dravić, Dragana Nikolića, Živojina Pavlo- vića i drugih značajnih filmskih umetni-
Carska panorama bila je
ers cinématographe camera from 1896, the rst lm camera of the Pathé brothers dating back to 1903... There’s also one of Charlie Chaplin’s walk- ing sticks, but also Karl Malden... “Among the legacies we preserve in the lega- cy room is that of Karl Malden, which we opened at the initiative of our friend DanTana in 2016, with Karl Malden’s granddaughter in attendance. A bust of him was included two years later, because that was our wish at the Cinematheque, but again al- so that of Dan Tana and conductor Zubin Meh- ta, who has great respect for the work of our Os- car-winner. And now, as we speak, Belgraders and foreign tourists take photographs of themselves withMaldeninfrontofthecinematheque,”reveals Pantelić, adding that the story of Charlie Chap- lin’s cane exhibited in a special place is intimate. “That story has all the attributes of an intimate story when it comes to the donor of the cane. At the insistence of the benefactor, it remains inti- mate. The stick was a personal possession of the great Charlie Chaplin that was acquired from his daughter, who gave it to one of our lm workers, and this Cinematheque.” The exhibition also includes items from the legacies of Ljubiša Samardžić, Pavle Vuisić, Milena Dravić, Dragan Nikolić, Živojin Pavlović and oth- er notable lm artists. Alongside the aforemen- tioned items from the 19 th and early 20 th centu- ries, part of the exhibition is dedicated to early cinemas and pioneers of lm in this region, with special emphasis on the rst Serbian feature lm, Karađorđe (1911). Apart from detailing the beginnings, this lm museum also accentuates the worldwide depar- tures of our lm artists before the Great War, the Second World War and some of the most interest- ing events in Serbian lm, such as the black wave, which still represents the most interesting phase of Yugoslav lm in the eyes of foreign experts, to the Prague school and the great successes of our lmmakers, such as Emir Kusturica, to Avala Film, where major world co-productions were shot. “Projections with a 35mm projector are a rar- ity today, while we are also among the few audi- toriums that still play projections on cellulose ni- trate tape. In June at the Festival of Nitrate Film, the
postavljen na Kalemegdanu The Imperial Panorama was set on Kalemegdan Fortress
Plakat za Bitku na Neretvi koji je radio Pablo Pikaso Poster for the Battle of Neretva,created by Pablo Picasso
Štap Čarlija Čaplina poklon od njegove ćerke The Charlie Chaplin’s stick was a gift from his daughter
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