PABLO PIKASO U KUĆI LEGATA U BEOGRADU PABLO PICASSO AT HERITAGE HOUSE IN BELGRADE CRTEŽ KAO DNEVNIK JEDINSTVENOG ŽIVOTA DRAWING AS A DIARY OF A UNIQUE LIFE
N ema mnogo svestranih umetnika, genijalnih u svemu čega se dotaknu – crtanju, slikanju, skulptu- ri, keramici, scenografiji, dizajnu... Ta- kav je bio Pablo Pikaso (1881-1973), pa je privilegija svakog grada da pose- duje muzej s njegovim delima. Beo- grad nije takve sreće, ali mu se ukaza- la čast da do 5. aprila bude domaćin postavke Pikasovih grafika iz kolek- cije Vollard Suite , u Kući legata. Izložba je realizovana u saradnji sa slovenačkom galerijom Kos , u či- jem je posedu zbirka od 84 dela, dok je njen prvi vlasnik bio Ambroaz Vo- lar, po kome je i nazvana. Celokupna kolekcija broji 100 grafika rađenih u tehnikama bakropisa, suve igle i akva- tinte i nastala je od 1930. do 1937. Tada je Pikaso uveliko sarađivao sa kolekci- onarom Volarom, koji mu je ponudio neobičan dil. U zamenu za dva plat- na starijih kolega, Sezana i Renoara, tvorac kubizma trebalo je da uradi se- riju crteža, a najbolje, po Volarovom mišljenju, i da odštampa. Izabrano je 97 skica od oko 400, kojima je Pikaso pridodao i tri portreta Volara. Tako je nastao Vollard Suite . VOLAR GINE, ZBIRKA JE GOTOVA Prva serija ovih grafika predstav- ljena je javnosti 1950. i puštena je u prodaju sa Pikasovim potpisom. Seri- je pojedinačnih grafika bile bi možda i veće da Abroaz Volar nije poginuo u
T here aren’t many versatile artists who show genius in everything they touch - drawing, painting, sculpture, ceramics, set design... One such example is Pablo Picasso (1881- 1973), which is why it is a privilege for every city to possess a museum of his work. Bel- grade is not so lucky, but it does have the honour of hosting, until 5 th April, works of Pi- casso’s graphic prints from the Vollard Suite collection at Heritage House. The exhibition has been organised in collaboration with Slovenian gallery “Kos”, which now owns a collection of 84 works, while its original owner was Ambroise Vol- lard, after whom the collection was named. The entire collection, which consists of 100 prints made using the techniques of copper etching, dry point and aquatint, was creat- ed between 1930 and 1937. At that time Pi- casso was collaborating a lot with the col- lector Vollard, who offered him an unusual “deal”. In exchange for two canvases of his older colleagues, Cezanne and Renoir, the creator of Cubism was supposed to make a series of drawings, the best of which, ac- cording to Vollard’s view, should be printed. Some 97 sketches were chosen from a total of around 400, to which Picasso added three portraits of Vollard. And that is how the Vol- lard Suite emerged. VOLLARD DIES, THE COLLECTION IS OVER The first series of these graphics was presented to the public in 1950, and placed on sale with Picasso’s signature. The series of individual graphics would perhaps have
The Minotaur, half man – half bull, a mythical creature beloved by the gods, is actually the alter-ego of this famous artist Minotaur, pola čovek, pola bik, mitsko biće i čedo bogova, zapravo je alter ego čuvenog umetnika
Do 5. aprila možete da zavirite u privatni život genija kroz grafike iz kolekcije „Vollard Suite“, koja dosledno prati tok Pikasovih erotskih i drugih misli Until 5 th April you can take a peek into the private life of a genius through the prints from the Vollard Suite collection, which follows the course of Picasso’s erotic and other thoughts
Tekst / Words: Dragana Nikoletić Fotografije / Photography: Kuća Legata/Heritage House, Getty images, Ana Paunković
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