INTERVJU: DARKO RUNDEK, MUZIČAR INTERVIEW: DARKO RUNDEK, MUSICIAN U STALNOJ POTRAZI ZA ČUDESNIM IN CONSTANT SEARCH OF WONDERS
Dve decenije nakon albuma „Apokalipso“ slavni umetnik i dalje balansira između stalne zabrinutosti nad sudbinom čovečanstva i plesa i pesme u slavu njegove lepote
Two decades after releasing “Apokalipso”, this famous artist still balances between concern over the destiny of mankind and dance and song in glory of its beauty
Tekst / Words: Vera Nikolić Fotografije / Photography: Goran Srdanov
O n je večiti dečak jugoslo- venskog rokenrola, pe- snik, filozof i ptica selica. Decenijama veran sebi, a na stalnom putu promene. Darko Ru- ndek živi u Parizu, Zagrebu i na Bra- ču, svira po čitavoj Evropi i ne presta- je da slavi umetnost, koja mu pokreće telo, otvara srce i razbuđuje um. Ne pristaje na kompromise zarad popu- larnosti, trudi se da živi u skladu s prirodom i svojom naravi, stvara i mašta o boljem svetu, jer „sad je vri- jeme za to“. Kad s distance od 20 godina razmišljate o vremenu kada je nastajao „Apokalipso“, čini li vam se da je bilo bolje ili gore od ovog danas? Šta je onda bi- lo „apokaliptično“, a šta „ka- lipsično“? Šta vas danas pla- ši, a šta razigrava? – Apokalipso je nastao u dve fa- ze. Prva je oko devedesete u Zagre- bu, dok smo pokušavali da napravimo još jedan album Haustora , a druga u Parizu, u prvoj polovini devedesetih. Vreme prve faze vreme je raspada so-
H e is an eternal boy of Yugoslav rock‘n’roll, a poet, philosopher and a migratory bird. For dec- ades he has remained faithful to himself, and is constantly on a path of change. Darko Rundek lives in Paris, Zagreb and on the island of Brač, plays through- out Europe and ceaselessly celebrates the art that moves his body, opens his heart and awakens his mind. He doesn’t accept compromises for popularity, strives to live in harmony with nature and with his own nature, creating and imagining a better world, because “now is the time for that”. When you look back at the time that “Apocalipso” emerged 20 years on, do you think it was better or worse than today? What, then, was “apocalyp- tic” and what was “calyptic”? What scares you today, and what makes you playful? “Apokalipso”was created in two phas- es. The first was around 1990 in Zagreb, while we were trying to make another Haustor album, and the other was in Par- is in the first half of the ‘90s. The time of the first phase was the time of the col- lapse of socialism, and then of Yugoslavia.
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