KULTURA / CULTURE
TanzMainz I Majnc 5. april | Jugoslovensko dramsko pozorište Iako Šaron Ejal kaže da je Lanac duše komad o ljubavi i čežnji, ne treba očekivati previše ro- mantike. Umesto toga, pokreti su životinjski i sirovi, a uzavrela grupa kreće se u vrhunskoj disciplini i ritmičkom jedinstvu. U kontrastu iz- među grupe i pojedinca, Ejalova pokazuje svoju naklonost prema apsolutnoj jedinstve- nosti svakog pojedinca. Iako TanzMainz pr- vi put gostuje u Beogradu, festivalska publika dobro poznaje opus Šaron Ejal, koja je jedna od laureata nagrade Jovan Ćirilov . TANZMAINZ, MAINZ Although Sharon Eyal says that “Soul Chain” is a piece about love and longing, you should not expect too much romance. Rather, the movements are animalistic and pure, a steaming group that moves in rhythmic unison with the highest discipline. So here, in the contrast between the group and the individual, Eyal expresses her love for the absolute uniqueness of each individual. Although it will be TanzMainz’s first time performing in Belgrade, the festival audience is well acquainted with Sharon Eyal’s opus, given that she is one of the laureates of the Jovan Ćirilov Award. BEOGRADSKI FESTIVAL IGRE PUNI 18 GODINA Poslastica za sve ljubitelje igre NA 18. FESTIVALU IGRE, PLANIRANOM OD 18. MARTA do 14. aprila 2021. godine, biće održano 18 predstava izvođača iz celog sveta. Beogradski festival igre slavi 18. rođendan i donosi glavni program koji je do koske hrabar, suludo zanimljiv i odvažno zreo, baš po meri festivalskog punoletstva. Mi smo izabarli pet predstava koje ne biste smeli da propustite. 3
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Alias I Ženeva 23. i 24. mart | Beogradsko dramsko pozorište
Kompanija Magi Maren Sent Foa le Lion 8. april | Atelje 212
Grupa pojedinaca ulazi u proces, hipnotič- ki privučena nevidljivom silom. Alegorija živo- ta u stalnom kretanju i transformaciji postaje progresivno manifestna… Kroz svoju najnovi- ju produkciju, koja nosi umirujući naslov Nor - malno , Đulijerme Boteljonas poziva da izabe- remo metafizički pogled na čin padanja. Šta znači pasti? Da li to znači nestati ili prepusti- ti se? Da li je to zaljubiljivanje, prolaženje kroz poznati vrtlog uzbuđenja i osećanja? Uvek ovacijama ispraćen, švajcarski Alias stiže če- tvrti put na Beogradski festival igre. ALIAS, GENEVA A group of individuals tumble into renewal, drawn hypnotically by an invisible force. An allegory of life in constant movement and transformation becomes progressively manifest… In his new creation, which has the calming title “Normal”, Guilherme Botelho invites us to cast a metaphysical look at the act of falling. What does it mean to fall? Is it to die or to let go? Is it to fall in love, to traverse that familiar whirlwind of excitement and feelings? Always greeted with ovations, the Swiss Alias is this year coming to the Belgrade Dance Festival for the fourth time. 4 Zappala Danza I Katanija 25. mart | Madlenianum Autentičan komad posvećen Svetoj Aga- ti, zaštitnici Katanije. Usvajajući ikonograf- sku estetiku, ali ne odustajući od svog izuzet- no hrabrog i savremenog rečnika, koreograf Roberto Zapala govori o aktuelnim temama poput nasilja nad ženama, religioznog i eko- nomskog fundamentalizma. Legenda kaže da je Agata odbila da se uda za gradskog su- diju, nakon čega su joj odsečene grudi, a za- tim je pogubljena. ZAPPALA DANZA, CATANIA An authentic piece dedicated to Saint Agatha, the patron saint of the Sicilian port of Catania. Adopting an iconographic aesthetic, but not giving up on his extremely courageous and modern language, choreographer Roberto Zappalà tackles current topics, such as violence against women and religious and economic fundamentalism. Legend has it that Agatha refused to get married to the city Proconsul, after which her breasts were cut off and she was executed.
Zapetljani u čvor nastao od svih muka našeg vremena: socijalnog nasilja, bučne nepravde, ratova, obespravljene nade, rezignacije i ose- ćanja nemoći… Velika dama francuske savre- mene igre Magi Maren kreirala je Liniju grebe - na i stražujući Spinozinu i Marksovu filozofiju. Međutim, namera joj je bila da se pozabavi ovom temom iz zabavnijeg ugla, poput ludih alpinista koji, zahvaljujući svojoj izdržljivosti, ra- dikalno menjaju položaje i strategije. COMPAGNIE MAGUY MARIN, SAINTE- FOY-LES-LYON Entangled in a knot made up of the many torments of our times: social violence, blaring injustice, wars, disenchanted hope, resignation and feelings of impotence… The great lady of French contemporary dance, Maguy Marin, created the “Ligne de Crête” by researching Spinoza’s philosophy and the philosophy of Marx. However, her intention was to approach this topic from a more fun angle, like mad rock climbers who, thanks to their endurance, radically change their positions and strategies.
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Peeping Tom I Brisel 9 i 10. April | Madlenianum
Diptih Vrata koja nedostaju i Napuštena soba likove zatiče u prostorijama iz kojih se ne mo- že pobeći. Lutajući zastrašujućim lavirintom u potrazi za idealom, oni nose san i nadu. Njihov život se odvija između stvarnosti i zamišlje- nog. Gabrijela Karizo i Frank Šartije stvaraju uznemirujući, mračan i zatvoren svet, tipi- čan rukopis trupe Peeping Tom . Scenske pro- mene odvijaju se pred očima publike i postaju deo predstave, ostavljajući utisak žive monta- že vrhunskog horora. PEEPING TOM, BRUSSELS In the diptych: “The missing door” and “The Lost Room”, several characters evolve in spaces from which they cannot escape. Wandering through a macabre labyrinth, they seek an ideal, bringing a dream and hope. The characters live between reality and what’s imagined. Gabriela Carrizo and Franck Chartier create a disturbing, dark and enclosed world – typical to the work of Peeping Tom. The changes of scenery between the pieces are carried out in plain sight and become an integral part of the performance, as if it were a live montage of superb horror.
44 | Festival igre » Dance festival
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