Za kraj, šta biste izdvojili u svom rodnom gradu kao dragocenost koja mora da se vidi, oseti, doživi... a da nije uobičajena turi- stička ponuda?
– To je veoma teško pitanje. Mislim da je već sve turistička atrakcija. Ne znam kako da od- govorim na to pitanje, ali mogu da kažem da sam možda samo u Los Anđelesu video sličnu sve- tlost koju ima Atina. Mislim da
je to neizbežno iskustvo, ali da je i najvredniji i terapeutski ele- ment koji grad poseduje. Ne mo- gu da predložim ništa što znam a da to nije već poznat muzej, le- pa šetnja, dobar zalogaj ili mesto za kupanje.
B orn 1964 in Athens, Dimitris Papaioannou was a student of cult Greek painter Yannis Tsarouchis, after which he completed his studies at the Ath- ens School of Fine Arts. He initial- ly gained recognition as a painter, before shifting his focus to the per- forming arts and becoming self-real- ised as a director, choreographer, per-
former and designer of scenography, costumes, make-up and lighting… The successes of his original stage productions – a hybrid of phys- ical theatre, experimental dance and performance – earned him world- wide repute, with Papioanu leaving an indelible mark on the art scenes of Greece and the whole world. He has already made a guest appearance at the Belgrade Dance Festival, and
now he‘s returning, to the delight of all lovers of modern dance, with the show Transverse Orientation. What does your arrival at the Belgrade Dance Festi- val depend on, as well as the show‘s premiere in Par- is, which is scheduled to happen prior to the perfor- mance in Novi Sad? “Everything depends on the vi-
Dance » Igra | 27
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