Gradski vodič / City Guide
RITAM GRADA RHYTHM OF THE TOWN
REFLEKTOR TEATAR
REFLECTOR THEATRE
N aše predstave reflektuju društvo i bacaju svetlo na njegove mračne stra- ne, navodi se u manife- stu Reflektor teatra , koji je za krat- ko vreme uspeo da se pozicionira na sceni kao mnogo više od neza- visne omladinske pozorišne pro- dukcije. Teme kojih se dotiču pred- stave Reflektor teatra , pitanja koja postavljaju, način na koji angažuju mladu pozorišnu publiku kao svo- ju ciljnu grupu, kao i aktivnog ak- tera – obično odjeknu mnogo dalje od prostora u kojima se izvode. U tom kontekstu verovatno su najre- prezentativnije predstava Crvena : Samoubistvo nacije , bolna priča o nasilju nad ženama zasnovana na istinitim podacima, i Muškarčine – „pozorišni dokumentarac o muško- sti“ i načinu na koji se ona tretira u našoj kulturi. RITAM GRADA RHYTHM OF THE TOWN K ako ime nagoveštava, Po- zorište Lektira na pozoriš- ne daske prenosi školsku lektiru, čineći je zanimlji- vijom novim generacijama. Osni- vač je popularni srpski glumac Ivan Jevtović, koji na ovaj način nastav- lja edukativnu misiju svog oca Vla- dimira Jevtovića, profesora Fakulte- ta dramskih umetnosti. U Pozorištu Lektira okupio je mladi autorski i glumački tim koji se stalno širi, a re- pertoar se kreira u saradnji s profe- sorima književnosti – prva izabrana dela su Romeo i Julija Vilijama Šek- spira, Geteov Faust, Jazavac pred sudom Petra Kočića i Narodni posla- nik Branislava Nušića. Nakon pred- stave gledaoci su pozvani da iznesu svoje mišljenje o predstavi, proća- skaju sa glavnim junacima ili u sa- radnji s glumcima improvizuju odre- đene scene, što ceo projekat podiže na novi nivo.
O ur plays reflect society and bring to light its dark sides”, state the manifesto of Reflector Theatre, which has managed, in a short period of time, to position itself on the scene as much more than just an independent youth theatre production. The themes touched on by the plays of Reflector Theatre, the questions they ask, the way they engage young theatre audi-
ences as their target group, but also ac- tive stakeholders – usually resound well beyond the space in which they are per- formed. The best examples of plays in that context are probably “Red: Suicide of the nation”, a painful story of violence against women based on genuine statistics, and “Men - a theatrical documentary about masculinity” and the way it is treated in our culture.
POZORIŠTE LEKTIRA
READING MATTER THEATRE
A s the name suggests, Le- ktira Theatre’s stage relays school reading matter, mak- ing it more interesting for new generations. The theatre’s founder is popular Serbian actor Ivan Jevtović, who is in this way continuing the educa- tional mission of his father, Vladimir Je- vtović, a professor at the Belgrade Fac- ulty of Dramatic Arts. Lektira Theatre has brought together a young creative and acting team that is constantly expand- ing, while the repertoire is created in co- operation with professors of literature – the first selected works were William Shakespeare’s Romeo and Juliet, Goethe’s Faust, Petar Kočić’s Badger on Trial and Branislav Nušić’s People’s Deputy. Follow- ing performances, audience members are invited to express their opinions of the play, chat with the main characters or improvise certain scenes in coopera- tion with the actors, thereby raising the entire project to a new level.
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