tomorrow,” “seize the day,” and “you only live once.” He argues they all imply that life is precious and therefore inspire either recklessness or over-careful preservation. Both of these are overkill for the nuances of everyday life and recognizing the beauty and, consequently, the value therein. Beauty as a subject, and the search for it, is what anchors Riggle’s entire philosophy (and book). To him, it’s very much in the eye of the beholder, something subjective and highly individual, with meaning beyond just pleasure and visual satisfaction. There’s also an inherently communal aspect. The personal and public aspects engage in a feedback loop that creates aesthetic value. Riggle, who lives in El Cerrito, is a good candidate to explore the value of life: He’s lived many already. He dropped out of high school to pursue a professional inline skating career that took him to the X-Games and other international competitions and found him hanging out with Eminem, Dave Matthews Band, and Randy Savage by age 20. Dissatisfied with living life rooted more in the corporeal, surrounded by material pleasures in a body- punishing discipline, he moved on to other pursuits. He got his bachelor’s degree at Berkeley after starting at community college, earned his PhD in philosophy at New York University, became a professor, married, and, more recently, became a father. There was also a stint as the head of a hip-hop-slash-folk music group in-between. So why ask The Question now? The book touches on other disciplines, but it’s fair to say that it is broadly an existentialist work. Academically speaking, this worldview fell out of favor after the writings of Søren Kirkegaard, Friedrich Nietzsche, John Paul Sartre, and others preoccupied with teasing out the meaning of human existence initially became popular. For many, existentialism is too nebulous and tedious to consider. In San Diego, where championing good vibes sometimes trumps everything else, it’s easy to see how it rarely elevates beyond that aforementioned bonfire conversation. For Riggle, fatherhood provided a good opportunity to dig in. Zooming out more widely, after decades of the decline of organized religion and the rise of buffet-style spiritualism linked to astrology, crystals, yoga, and other hodgepodge practices and philosophies, people are perhaps more primed than they have been in a while to consider what he’s offering. Frankly, this line of thinking—and to know it’s again becoming en vogue —is refreshing, particularly in a city with crushing economic and social inequality. Even Foreign Policy argued in favor of it in a 2019 article, declaring, “French philosophy came to define the postwar era. As U.S. politics get ever more absurd, it’s time for a comeback.” We may have a harder time addressing the material comforts of every human on earth, but at least we can try to provide a roadmap for mentally riding the waves. Or, as Riggle puts it, “engaging in aesthetic life [is] a way of keeping in touch with the value of being alive.”
“Engaging in aesthetic life is a way of keeping in touch with the value of being alive .”
Befitting an academic, Riggle tackles this quandary as a lecturer might, by speaking directly to readers in his text, walking them
through each chapter conversationally and lyrically. The chapters appear as individually themed essays on life in general, time, the body, family, the concept of a single day, and, of course, beauty. This sprawling format is intentional. “I don’t think, philosophically, that ‘The Question’ has a direct answer,” he says. “We don’t have enough information to have one. We don’t know enough… [W]ho we are, what we’re doing here, what the universe is. It’s all one great mystery.” To help untangle this mystery, Riggle offers real-life examples of how to think about these concepts through relatable anecdotes about parenthood and his middle-class upbringing. He also interrogates the futility and vagueness of common inspirational phrases like “live like there’s no
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