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IZLOŽBA / EXHIBITION „Svetlucavo prijateljstvo“ u Muzeju savremene umetnosti / A Glimmering Friendship at the Museum of Contemporary Art
I zložba Zdravka Joksimovića u Muze- ju savremene umetnosti u Beogradu koncipirana je u 12 celina čije okosni- ce čine različiti tematski fokusi auto- rovih interesovanja, i biće otvorena do 25. avgusta. Od istraživanja izražajnih potencijala likovno-plastičkih principa, kroz materijale i tehnike, preko bavljenja fenomenima telesnog, biomorfološkog ili preispitivanja religiozne ikonografije i simbolike, do ličnih, svojevrsnih oma- ža bivšoj Jugoslaviji, na izložbi „Sve- tlucavo prijateljstvo“ biće predstavlje- na Joksimovićeva ostvarenja od kraja osamdesetih godina prošlog veka do naj- novije produkcije koja, pored skulptu- ra i objekata, obuhvataju i crteže. Po- slednje gotovo četiri decenije umetnička praksa Zdravka Joksimovića prepozna- ta je i etablirana kroz bogat skulptorski opus, uz neretke umetnikove iskorake i u druge medije. Zapitanost od čega sve skulptura može biti napravljena odve- la ga je u pasionirani rad sa najrazliči- tijim vrstama kako standardnih, vajar- skih, tako još više i atipičnih materijala, koji su mu ujedno otvarali prostor ek- sperimentisanja.
T his Zdravko Joksimović exhibition at the Museum of Contemporary Art in Belgrade is arranged in 12 units struc- tured around the author’s various themat- ic focuses of interest and will run until 25 th August. From exploring the expressive po- tential of fine art principles, through mate- rials and techniques, to addressing physical, bio-morphological phenomena or re-exam- ining religious iconography and symbolism, to personal, specific homages to the former Yugoslavia, the exhibition A Glimmering Friendship presents Joksimović’s creations spanning the period from the late 1980s to his latest production, which includes draw- ings alongside sculptures and objects. Jok- simović’s artistic practices have been rec- ognised over the course of almost the past four decades and he has established him- self through a rich sculptural oeuvre, as well as frequent forays into other media. His questioning of all the materials that can be used to create sculptures led him to work passionately with the most diverse types of standard sculptural materials, and even more atypical materials, which simultane- ously created space for him to experiment with his creativity.
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