SAIL Magazine 2024 [English]

The annual Swansea University magazine for alumni and friends

ALUMNI MAGAZINE 2024 SAIL CELEBRATING TALIESIN ARTS CENTRE’S 40TH ANNIVERSARY PAGE 04

WIN A £100 VOUCHER FOR FULTON OUTFITTERS PAGE 11 BRIDGING CULTURES THROUGH THEATRE: A CHINESE PERSPECTIVE PAGE 22

A PASSIONATE VOICE FOR TRUTH AND CHANGE PAGE 08

@QUISTAR

14 A Chat with Renowned Soprano

Rebecca Evans

18 Streetsnap: First-Of-Its-Kind App Launches To Build Community Resilience to Hate

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Dylan Thomas Prize

01 Vice-Chancellor’s Welcome 02 News 04 Taliesin Arts Centre’s 40th anniversary year 05 Dylan Thomas Prize 06 Profile - Andy Bush 08 Profile - Ayo Mairo-Ese 10 SU Connect - Keep In Touch 11 Competition Time 12 Events 14 Honorary Fellow - Rebecca Evans 16 Profile - Liam Chivers 18 Research 21 Podcasts with Jon Doyle 22 Profile - Renxiao (Richard) Zhang 24 Profile - Elin Rhys 26 Alumni Profile Snippets 28 Legacy

JOIN THE CONVERSATION Follow us on social media @swansalumni

Join Swansea Uni Connect, the exclusive personal and professional networking platform for Swansea alumni swanseauniconnect.com You can also get in touch with us at alumni@swansea.ac.uk . We would love to hear from you!

@Swansea_Alumni @swanseaunialumn i

Editors: Gerard Kennedy, Rachel Thomas, Shannon Black & Angelia Fitzgerald Design by: IconCreativeDesign.com

This magazine is fully recyclable. All the paper is from FSC sources and we use vegetable based inks in the printing. Any additional carbon from the production of the magazine is balanced with World Land Trust. www.worldlandtrust.org

A WARM WELCOME TO THIS 2024 EDITION OF SAIL, OUR ALUMNI MAGAZINE. Since Swansea University’s founding in 1920, our University motto (‘Gweddw crefft heb ei dawn’ or ‘Technical skill is bereft without culture’) has encapsulated our enduring commitment to both the arts and the sciences. Today, we are proud to promote and celebrate the rich cultural tradition of our institution, our region and of Wales, and to highlight this ongoing legacy within this edition. Swansea University is at the heart of our region’s cultural offering. This year marks the 40th anniversary of the Taliesin Arts Centre on our Singleton Campus which has, through its diverse programme of events, activities and exhibitions, served to inspire generations of our students, as well to provide a welcoming space for our wider community. The Great Hall on our Bay Campus is also a central hub for cultural activities and events, and some of our longstanding collections, including the South Wales Miners’ Library and the Richard Burton Archives, contain a wealth of resources which shed light on the life, unique history and rich culture of Wales and its citizens. We also seek to celebrate the cultural legacy of the city of Swansea and our wider region on the global stage. As a university founded in the birthplace of Dylan Thomas, we are delighted

to celebrate his significant contribution to the arts each year through the Swansea University Dylan Thomas Prize; one of the world’s most prestigious literary prizes for young writers from across the world. At Swansea University, we are proud of our diverse and international community of students and staff, and both welcome and encourage the significant opportunities for cultural exchange which this presents. We are pleased to promote the unique language, culture and heritage of Wales to all members of our community, many of whom are enthusiastic to discover more about our nation and its history. In addition to our many student societies, we are proud to amplify the status and use of the Welsh language through our Academi Hywel Teifi, which encourages students of all ages and educational, cultural and socio- economic backgrounds to learn Welsh or to further develop their Welsh language skills. We are delighted that so many of our alumni continue this longstanding legacy by contributing so powerfully to the worlds of arts and culture, and we hope that you enjoy this brief snapshot of those who are lighting up the world with their creative endeavours, from internationally acclaimed opera singing to award-winning journalism. We recognise the

contributions of all of our former students, across all spectrums of society, and we look forward to celebrating many more of your

achievements in future editions of this magazine.

Professor Paul Boyle Vice-Chancello r

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Read the full article at swan.ac/ISABridgeAI

Professor Siraj Shaikh, from the Computer Science Department, will work alongside Innovate UK, Digital Catapult, The Hartree Centre, and the British Standards Institution to provide independent scientific advice, guidance, and mentoring to organisations seeking to adopt AI solutions or develop their capability and capacity in AI. Independent Scientific Advisor (ISA) within the Innovate UK BridgeAI programme at The Alan Turing Institute. A Swansea University expert has been appointed as an

As a Professor in Systems Security and Co-Founder and Chief Scientist of CyberOwl, providing risk analytics and security monitoring for the maritime sector, Professor Shaikh has years of scientific and industrial expertise in the cybersecurity and transport domains, with an emphasis on engineering safe and secure systems. Organisations selected for ISA support will have specific complex challenges which are often not easily addressed by training courses. As part of his new role, Professor Shaikh will help organisations overcome these barriers and enhance their AI adoption journey. The project ‘Precision Glycol-oligomers as Heteromultivalent Pandemic influenza Virus Blockers’ has been awarded funding worth €1.8m from the Novo Nordisk Foundation to support the development of pandemic influenza A virus blockers. The three-year project is an interdisciplinary consortium being led by the Freie Universität Berlin, and also includes Aarhus University and Imperial College London.

Swansea University is a partner in a new international collaboration to develop better ways to stop pandemic influenza and safeguard global health.

Read the full article at swan.ac/FightFlu

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The King’s Awards for Enterprise, the pinnacle of recognition for UK businesses, have announced that their prestigious Innovation category award has been won by Bionema Group Ltd, a spin-out company from Swansea University. The accolade celebrates Bionema’s groundbreaking NemaTrident, a revolutionary eco-friendly biological solution for crop pest management. As a leader in biocontrol technology, Bionema is committed to reducing the reliance on pesticides and synthetic fertilisers in food production. The King’s Awards for Enterprise, previously known as The Queen’s Awards for Enterprise, were renamed last year to reflect His Majesty The King’s desire to continue the legacy of HM Queen Elizabeth II by recognising outstanding UK businesses. The Award programme, now in its 58th year, is the most prestigious business award in the country, with successful businesses able to use the esteemed King’s Awards Emblem for the next five years. Bionema Group Ltd started trading in 2013 and works in biotechnology, creating pest management solutions for horticulture, forestry, and other industries. Its innovation competes with chemical pesticides, using microscopic nematode organisms to kill selected insects. Currently, farmers rely heavily on chemical pesticides. However, evidence of increasing pesticide resistance and severe environmental and human safety concerns have led to more stringent regulations banning the use of many pesticides.

Exploring Global Problems.

Can we trust politicians ? How do we ensure global food security ? Who is eligible to compete in elite sports ? These are the questions being answered by Swansea University academics in the next season of research podcast Exploring Global Problems. In this nine-episode fourth season, Swansea University academics explain how their pioneering research is addressing global challenges. Episodes are released fortnightly and include: Exposing a long history of assassinations Enabling inclusive family travel experiences Is immersive learning the key to improving healthcare education Elite sport eligibility and plant based nutrition Global food security - can biopesticides be the answer ? Do we trust politicians ? Do they trust us ?

The price paid by locals - gold mining in Kyrgystan What is the impact of living next to an active volcano ?

Read the full article at swan.ac/bionema

Listen to our podcasts at swan.ac/EGPpodcast

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Taliesin’s programme of engagement proudly has students and young people at its heart, nurturing our talented and passionate communities on campus, and within the region. A participatory programme of music, talks, festivals, workshops and exhibitions provides unique and meaningful opportunities. We’re brimming with fresh ideas for the next forty years, with plans that will make Taliesin Arts Centre a cultural beacon for the city, and we’d love for you to join us in supporting creative opportunities for the next generation of students, young people, and the Swansea community.

CELEBRATING TALIESIN ARTS CENTRE’S 40TH ANNIVERSARY YEAR

Support our work by donating here: swan.ac/taliesindonate

To continue to enjoy the vibrant programme at Taliesin, sign up to the free newsletter: swan.ac/taliesin

FROM JUNE 2024 TO JUNE 2025

Celebrating forty years of entertaining and delighting visitors, Taliesin continues to deliver a programme of world-class performance, including Wales-based talent as well as international artists. Offering the best in theatre, music, dance and film - inspiring and amazing students, staff and visitors.

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DYLAN THOMAS PRIZE

Launched in 2006, the annual Swansea University Dylan Thomas Prize is one of the most prestigious awards for young writers, aimed at encouraging raw creative talent worldwide. It celebrates and nurtures international literary excellence. It is one of the UK’s most prestigious literary prizes as well as one of the world’s largest literary prizes for young writers. Awarded for the best published literary work in the English language, written by an author aged 39 or under, the Prize celebrates the international world of fiction in all its forms including poetry, novels, short stories and drama. The prize is named after the Swansea-born writer, Dylan Thomas, and celebrates his 39 years of creativity and productivity. One of the most influential, internationally-renowned writers of the mid-twentieth century, the prize invokes his memory to support the writers of today and nurture the talents of tomorrow.

This year Caleb Azumah Nelson has been announced as the winner of the Swansea University Dylan Thomas Prize, for his novel Small Worlds (Viking, Penguin Random House UK). Described as ‘anthemic’ by this year’s judging panel, Small Worlds tells an intimate father-son story set between South London and Ghana over the course of three summers. The win cements the thirty-year-old British-Ghanaian author as a rising star in literary fiction, following his acclaimed debut, Open Water, which was shortlisted for the Swansea University Dylan Thomas Prize in 2022. Namita Gokhale, Chair of the 2024 judging panel, said “Amid a hugely impressive shortlist that showcased a breadth of genres and exciting new voices, we were unanimous in our praise for this viscerally moving, heartfelt novel. There is a musicality to Caleb Azumah Nelson’s writing, in a book equally designed to be read quietly and listened aloud. Images and ideas recur to beautiful effect, lending the symphonic nature of Small Worlds an anthemic quality, where the reader feels swept away by deeply realised characters as they traverse between Ghana and South London, trying to find some semblance of a home. Emotionally challenging yet exceptionally healing, Small Worlds feels like a balm: honest as it is about the riches and the immense difficulties of living away from your culture.” The other titles shortlisted for the 2024 Prize were A Spell of Good Things by Ayòbámi Adébáyò (Canongate Books), The Glutton by A. K. Blakemore (Granta), Bright Fear by Mary Jean Chan (Faber & Faber), Local Fires by Joshua Jones (Parthian Books) and Biography of X by Catherine Lacey (Granta).

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ALUMNI

ANDY BUSH RADIO DJ, ABSOLUTE RADIO BA, AMERICAN STUDIES

Q: How did you end up at Swansea University?

I fell in love with American Studies because my Media Studies teacher did his degree in it. It offered a good mix of politics, history, and an exciting year abroad.

I SIGNED UP FOR SWANSEA BASED ON THE PROSPECTUS WITHOUT EVEN VISITING THE UNIVERSITY OR THE TOWN!

Read the full interview on our website at swan.ac/andybush

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Q: Were you involved in student radio at Swansea? No, not at all. In fact, I wasn’t interested in radio until much later when I moved to Bristol with my band. Radio presenting ultimately put an end to my music career. Q: You’ve been on the radio for a long time. How has the role of radio changed? The radio industry has changed a lot. There used to be many stations, but now a few big companies own most of them. It’s harder to break into radio now. However, lockdown showed the enduring connection between radio and listeners. People relied on radio for mental health and connection during a difficult time. Playlists are great, but there’s something special about listening to something live and feeling like your part of a community. I’ve always strived to have an ongoing conversation with the audience through social media, reading messages on air, and featuring audience contributions. Our show is built by the audience; they inspire us with their brilliant ideas and stories. Q: How do you see radio navigating the changing music landscape? Radio is about connection, routine, and discovery. We don’t necessarily focus on breaking new music. It’s a mix of familiar favourites and introducing listeners to some recent discoveries. Spotify and radio can complement each other. People might hear a new song on the radio and then go to Spotify to listen to the album. Radio is the shop window, and listeners can explore further based on what they hear.

Q: Absolute Radio fosters a sense of community, doesn’t it? Can you share an example? Yes, radio can be a powerful tool for connection. I’ve done a lot over the years to promote mental health awareness and connection. During lockdown, I hosted meetups for listeners feeling lonely or isolated. I also used to organise “No Office, Office Party” events for self-employed people. It’s been incredibly rewarding to see these connections continue even after the events. Social media also helps us connect with listeners and build a stronger sense of community. Q: You studied American Studies and play Delta blues guitar. Has American culture always fascinated you? Absolutely! My American Studies degree was an amazing experience. It was a broad subject that covered everything from TV and film to slavery and Delta Blues. I still follow American sports and music and feel privileged to have learned about American culture at Swansea. It also taught me valuable skills like adaptation and how to connect with people from diverse backgrounds. My curiosity about people is what drives my radio career.

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ALUMNI A PASSIONATE VOICE FOR TRUTH AND CHANGE Ayo Mairo-Ese, a graduate of Swansea University’s International Relations programme (Class of 2009), thrives on the challenges and rewards of news anchoring at Arise TV in Nigeria. Ayo’s dedication to truth, empowerment, and holding power to account shines through. Her journey, fuelled by her experiences in Nigeria and Wales, makes her a powerful voice for positive change. Finding Purpose in Journalism Q: Ayo, what motivates you most in your role at Arise TV? Two things truly drive me. First, the incredible team at Arise TV. They push me to be a better broadcaster every day. But even more important is the platform I have to educate and empower people, especially those most vulnerable and unheard. Q: Social media seems to be a big part of your approach to newsgathering. How do you use it to inform your programming? Absolutely! Social media bridges the gap between me and viewers, allowing me to hear their concerns. I might ask about the rising cost of living or if people can afford to send their kids to school. These responses then become springboards for discussions on the show. It’s about listening to and understanding the realities people face.

Q: You’re known for your tough but fair interviewing style. How important is fact- checking for you? Crucial. Before every interview, I do extensive research to verify claims. We hold influential figures accountable and ensure our audience receives accurate information.

Empowering Women: A Personal Mission

Q: You’re a strong advocate for women’s empowerment. What are your thoughts on progress in Nigeria? There’s a long way to go. It’s a patriarchal society, but I won’t stay silent. I co-founded SpeakHer, which equips women with communication skills. We need better protection for women and changes to discriminatory laws. I’m passionate about supporting women in various ways. SpeakHer is just one example. I’m also an ambassador against sexual violence and a mentor to women. I leverage speaking engagements to inspire and empower others. Swansea: A Catalyst for Change Q: How did your time at Swansea University influence your approach to journalism? Living in the UK exposed me to a culture of accountability. Leaders were expected to answer to the public. This experience has shaped my commitment to holding leaders accountable in Nigeria.

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Q: How do you hope to contribute to positive change through your work? By speaking truth, amplifying unheard voices, and inspiring others to do the same. Good governance is essential. Nigeria has immense potential, and I believe a strong media can play a vital role in helping it reach its full potential. A Fond Look Back at Swansea Q: Tell us about your time at Swansea University. I love talking about Swansea University! It was a transformative time in my life. The friendly community of Swansea itself was fantastic. The University and my lecturers in the Department of Humanities were amazing. Dr. Alan Finlayson, Dr. Rebecca Brown, and others made a lasting impact on my learning. My involvement in the student union and travels throughout the UK further shaped me as a social activist. It’s a fantastic institution, and I actively encourage people to attend Swansea!

AYO MAIRO-ESE BROADCASTER AND ANCHOR, ARISE NEWS BA, INTERNATIONAL RELATIONS

Read the full interview on our website at swan.ac/AyoMairoEse

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SU CONNECT – KEEP IN TOUCH WITH TOP QUALITY GRADUATES SWANSEA UNI CONNECT

ARE YOU A SWANSEA GRADUATE WITH A KILLER BUSINESS?

Download the App and have the global community in the palm of your hand! Find out more at swan.ac/swansea-uni-connect Keep in touch! Want to stay updated about the latest events, news and opportunities to support the University ? Update your details and we’ll keep in touch with you at swan.ac/update

We’re connecting Swansea Uni alumni with amazing businesses like yours. It’s a win-win: you connect with engaged graduates, and they get to enjoy member only perks while supporting Swansea alumni businesses. Let’s show the Swansea community some love! Check out the Business Directory on swan.ac/suconnect TARGET TOP TALENT, REACH ENGAGED PROFESSIONALS: Looking for highly qualified candidates ? Promote your vacancies on our free alumni Jobs Board. Connect directly with a network of skilled Swansea University graduates ready to take their careers to the next level.

Check out the Jobs Board on swanseauniconnect.com

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I LOVE SWANSEA UNI BECAUSE...

Entry Options (Choose One): Photo: Capture a picture that embodies your love for Swansea Uni, like a scenic campus shot, a group photo with uni friends, images of work you were proud of, or a snapshot of your favourite study spot or Share what makes you love Swansea University in a creative and engaging way and you could WIN A £100 VOUCHER FOR FULTON OUTFITTERS what you love about being a part of the Swansea Uni community. Be funny, heartfelt, or simply showcase the university’s vibrant life. Write: Share a creative story or poem (max 50 words) Explain what makes Swansea Uni special to you. someone that changed your life. Video: Create a short video (max 30 seconds) showcasing

Submit your entries and we’ll feature some of our favourites on our social channels.

A winner will be picked at random on the 31st August 2024. The winner will be notified by email. Submit your entry: swan.ac/sailcomp24

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VARSITY The Welsh Varsity was back in Swansea this year for the much-anticipated annual clash with Cardiff University. Whilst Cardiff won the overall Varsity Shield our Men’s Rugby team brought a cheer from the crowd with a resounding 44-28 victory over the visitors. Staff and alumni also joined us for our watch-party in Founders on Wind Streetfor a fun night of rugby, food, drinks and music. Clintons Back in Swansea for the first time since 2019, Secretary Clinton was joined by President Clinton for a public event hosted by the University.

The couple were guests of honour at a special discussion which focused on global challenges. They were joined on stage by the First Minister of Wales, Mark Drakeford MS, and the Vice-Chancellor of Swansea University, Professor Paul Boyle, for the conversation, which also emphasized the importance of engaging young people in leadership roles. The 600-strong audience included local school groups, staff and alumni.

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Swansea in India

In May the alumni team went to India for an opportunity to catch up with our Alumni there. We had fantastic events in Delhi, Mumbai and Bangalore. We were delighted to have the opportunity to talk with Megha and Geetanjali who are willing to help us further develop the alumni network in India.

SWANSEA IN LONDON

Back in September we took some of our academic researchers up to London for our alumni social event, “There is something in the seaweed”. Our researchers talked about turtle conservation; how they are using micro-algaes for carbon capture; and how they are using alginates in the process for heat capture and storage. It was a fascinating evening that also provided a great opportunity for networking with alumni based in London.

SWANSEA UNIVERSITY SWANSEA HALF MARATHON

Swansea University staff, students and alumni took part in the Swansea Half Marathon for the second year in a row, raising over £20,000 for our Making Strides for Mental Health campaign. Honorary Fellows Ryan Jones and Lowri Morgan supported Team Swansea, giving a motivational team talk pre-race. Post-race, our runners were invited back to the National Waterfront Museum to hear the fundraising total, graze on doughnuts and sip some celebratory prosecco!

Sound like your thing? Register your interest to run in 2025, find out more or donate, here: swansea.ac.uk/making-strides

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HONORARY FELLOW A CHAT WITH RENOWNED SOPRANO REBECCA EVANS Rebecca Evans, a celebrated soprano, discusses her inspiring career path, unwavering love for opera, and her Welsh heritage. Early Life and Singing Spark Q: Where did your operatic journey begin? My singing career started at Swansea University at the young age of 12. There used to be a building behind the Oceanography department where I’d have private lessons with a fantastic baritone every Thursday evening. Even at four, I was surrounded by classical music thanks to my mother, a former opera singer, and my father’s love for orchestral pieces. Opera truly captivated me. Universality of Music Q: Does music transcend cultural barriers? Does opera convey universal emotions? Undoubtedly! Opera, like music in general, is incredibly accessible. We all interpret it differently, but the core messages and emotions resonate with audiences from all backgrounds.

Celebrating Welsh Culture Q: Do you feel a responsibility to promote Welsh culture? How do you do it? Absolutely! I’m heavily involved in the Welsh Singer’s competition, directing it, and mentoring the winner to represent Wales in Cardiff Singer of the World. I’m also the Director of the Associate Artists program at Welsh National Opera, where I mentor young singers. Passing on the baton to the next generation feels like my duty. Tradition and Modernity in Opera Q: How do you balance respecting tradition with making opera relevant for contemporary audiences? I strive to respect the art, be honest to the text, and follow the director’s vision. Directors reinterpret the story, keeping it relevant. It’s cyclical; we’ve seen traditional productions and minimalist ones. Ultimately, it’s about finding the right balance – appealing to new audiences whilst caring for the ones who have also supported opera for 20,30 or 40 years. Current performances are less minimalist so that audiences can revel in the beauty of the production in a world that currently has a lot of ugliness in it. Comedy vs. Tragedy and Advice for Aspiring Artists Q: Do you have a favourite genre to perform? While I love tragedies, comedy is my favourite. Acting and bringing a character to life is a privilege and great fun. For aspiring artists, I say be true to yourself and celebrate your heritage through your art. Sing or act from the depths of your soul.

Read the full interview on our website at swan.ac/rebeccaevans

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Favourite Venues and Performance Connection Q: Where’s your favourite venue to sing? Honestly, it’s the Wales Millennium Centre. Being close to family and sleeping in my own bed makes it special. But the Metropolitan Opera and the Royal Opera House Covent Garden are incredible too. The audience connection is massive! Their laughter during comedic moments is truly uplifting.

A Journey Ignited by Passion Q: Tell us about your journey into opera and the influence of your Welsh heritage. Music was my burning passion from childhood. My father insisted on a more practical career, so I trained as a nurse, but I pursued lessons and continued singing as an amateur until a chance encounter with a hospital choir conductor led to solo opportunities. Meeting Sir Bryn Terfel was a turning point – he encouraged me to study at the Guildhall School of Music and Drama. My parents eventually came around, and with their support, I embarked on this incredible 35-year journey. Making Opera Accessible Q: Any advice for first-time opera goers? Go with an open mind! Surtitles make it easier to follow the story and if you’re unfamiliar with the opera, read a synopsis beforehand. Explore online resources like sound bites to learn more. Opera is not elitist; it’s about exploring different cultures and experiencing the beauty of music. Give it a try, you might love it!

REBECCA EVANS WORLD RENOWNED OPERA SOPRANO

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ALUMNI

LIAM CHIVERS FOUNDER AND MANAGING DIRECTOR, OP TALENT BSC PSYCHOLOGY

Liam Chivers manages some of the biggest influencer names in the world, and is responsible for billions of video views and millions of social media followers. From KSI and Ali-A to Jelly and Sidemen, Liam is at the forefront of today’s ‘modern day mainstream’ world.

I HAVE MANY GREAT MEMORIES OF THE CAMPUS, THERE WAS ALWAYS LOTS GOING ON AND I MET MY WIFE, APRIL, THERE.

Liam and April back in their student days at the Summer Ball.

Read the full interview on our website at swan.ac/liamchivers

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Q: What are some emerging trends in influencer marketing? Micro-influencers are gaining traction for targeted campaigns with a specific niche and demographic. Although macro-influencers have a bigger general appeal and audience, they also cost more. The trend is leaning towards bigger influencers to attain widespread brand recognition; however, smaller brands are turning to micro-influencers for more tailored campaigns within their budget. This approach allows for more selective targeting and ensures engagement with potential customers. Q: What are some examples of the collaborations by OP talent? KSI vs. Logan Paul boxing rematch (opened mainstream doors for influencers) DanTDM’s worldwide tour (showcasing the reach of influencer events) Ali-A’s collaboration with Porsche (early example of influencer marketing success) Q: Are there any ethical considerations to be mindful of when you work with creators? Absolutely! OP Talent avoids promoting things like cryptocurrency or NFTs due to their complexity and potential risks. We prioritize brand safety and avoid deals that could negatively impact on creators’ credibility and the brand’s reputation. Q: How are creators changing culture? YouTubers are the new mainstream media. They are constantly accessible, creating a strong connection with their audience. This has shifted cultural trends due to the speed and accessibility of content. You don’t have to wait until Saturday afternoon to watch David Beckham in a football match or wait for the next Tom Cruise film in six months’ time to see him in the cinema. The Youtubers are always on.

Q: What is an influencer? I’m not keen on the term influencer, it’s been created by the media over the last few years. I prefer to call them creators or the talent. Influencers are creators who have a strong social media following and can influence their audience’s decisions. They are relatable compared to traditional celebrities. Q: What are some of the biggest challenges in managing creators? Educating brands about influencer marketing. Brands need to trust creators and allow their voice to come through in collaborations. It’s about finding the right fit for both brands and creators. There are also challenges protecting creators’ interests, keeping up with their evolving personal interests, and matching them with suitable brands. Q: How do you identify the right creators for a brand? OP Talent prioritises matching creators from our roster first. We consider demographics, interests, budget, and timing. The right influencer can create content that aligns with the brand message while staying true to their own style. If we can’t find the right match, we can also work with unsigned creators to find something that works for the brand. Q: Creators can drive social movement and activism. Do you see a greater role for them in this space? Influencers can amplify messages and discussions on social issues, but they need to be knowledgeable about the topic they’re commenting on. They can bring attention to a topic or help reach audiences that traditional media would struggle to engage. Q: What advice do you have for aspiring YouTubers and influencer managers? Content is key. Stay true to yourself and focus on quality content creation. Build a strong work ethic.

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RESEARCH

Developed for use by police, youth workers, cleaning operatives, council staff, housing and education officials, StreetSnap allows its users to photograph hateful graffiti and report it instantly to the relevant authorities. Street cleaning teams are notified straight away, coming along to the site and removing hateful signs. Counter-terrorism police officers also receive the data, alongside youth workers and social services, in order to analyse the information and take the necessary actions. Interventions can include youth education sessions in schools, youth groups, and social clubs, aiming to understand the motivation behind the hateful graffiti and encourage those creating it to consider their actions more closely.

From decoding graffiti, to shining a light on LGBTQ+ literature and understanding and supporting breastfeeding at a societal level. Our research continues to protect, document and shape our cultural landscape. STREETSNAP: FIRST-OF-ITS- KIND APP LAUNCHES TO BUILD COMMUNITY RESILIENCE TO HATE Leading social scientist from Swansea University, Dr Lella Nouri and her team, have developed a new app which revolutionises the way communities can track and report hate graffiti, all with the aim of understanding tensions within a community, and building intervention programmes to eradicate the issues. A first-of-its-kind reporting system, the StreetSnap app will soon be available for use across all local authorities in Wales and England. The app is currently being trialled in Bridgend, and was created in partnership with the Legal Innovation Lab Wales and Bridgend County Council with funding through the Welsh Government SMART Partnership programme, putting the Welsh Government’s Anti-racism Action Plan into practice.

Read the full article on our website at swan.ac/StreetSnap

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THE CONTRIBUTION THAT WELSH LGBTQ+ LITERATURE HAS MADE IN WALES AND THROUGHOUT THE WORLD The Challenge LGBTQ+ experiences have, historically, been marginalised in Wales and Britain. Literary studies and biographies tended to ignore or even suppress LGBTQ+ lives. Swansea University research into LGBTQ+ literature from Wales reveals that queer people have made an important contribution to the literature and history of Wales and the world. Professor Kirsti Bohata’s research particularly focuses on the life and writing of Amy Dillwyn (1845-1935), a Victorian industrialist and novelist. Professor Bohata has reclaimed Dillwyn as a key writer of queer Victorian literature and a diarist whose life writing sheds new light on genderqueer identities and same-sex desire.

Read the full article on our website at swan.ac/welshLGBTQ

INCREASING BREASTFEEDING RATES The Challenge

The UK has some of the lowest breastfeeding rates in the world. This damages our population health, our economy and most importantly can leave women devastated; up to 90% of mothers who stop breastfeeding in the first six weeks are not ready to do so. Although for some women physiological issues will have prevented them from breastfeeding, for most a lack of support leads to increased complications and a need to stop before they are ready. Many strategies to support breastfeeding focus on providing practical support for women at an individual level. Whilst this is important, Dr Amy Brown’s research has explored wider psycho-social-cultural influences that are damaging to breastfeeding, particularly poor societal level understanding of how breast feeding works and normal baby behaviour. Her work highlighted that rather than focussing on individual women, change was needed at the societal level to create an environment that understood and supported breastfeeding.

Read the full article on our website at swan.ac/breastfeedingsupport

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PODCASTS WITH

Jon is an author himself. His work has appeared in Short Fiction, The Rumpus, Hobart, Ploughshares online, Full Stop and 3:AM Magazine among others. Jon also helps to run the Alumni Book Club. SWANSEA ALUMNUS, DR JON DOYLE CHATS WITH FOUR OF OUR ALUMNI AUTHORS, ABOUT THEIR WORK, INSPIRATIONS AND CONNECTION WITH SWANSEA UNIVERSITY.

PHD, CREATIVE WRITING, 2019

If you enjoy listening to these podcasts why not join the conversation in the Book Club group at swanseauniconnect.com

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DR SAMUEL PERALTA, (PHD, PHYSICS, 1987)

is most well-known in publishing as a poet, short story writer, and creator of the ‘Future Chronicles’ anthologies. He also sends artwork into space.

Scan to listen to this podcast swan.ac/alumnipodcasts

DR CAROLE HAILEY, (PHD, CREATIVE WRITING, 2020) Carole’s novel ‘The Silence Project’ is published by Atlantic Books and was chosen as one of the titles for the BBC Radio 2 Book Club.

Scan to listen to this podcast swan.ac/alumnipodcasts

JAMES NORBURY, (BSC, ZOOLOGY, 1999)

has been writing and drawing most of his life. He is best known for ‘Big Panda and Tiny Dragon’ and the Cat Who Taught Zen.

Scan to listen to this podcast swan.ac/alumnipodcasts

JOANNA MAZURKIEWICZ, (BA, AMERICAN STUDIES, 2011) is a USA Today Bestselling Author. Having written more than 80 books, Joanna is best known for her ‘Whispers’ and ‘Love & Hate’ series of books.

Scan to listen to this podcast swan.ac/alumnipodcasts

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ALUMNI BRIDGING CULTURES THROUGH THEATRE: A CHINESE PERSPECTIVE

Growing up in a theatrical family, I was drawn to both the creative world of art and the analytical world of law. This internal conflict led me to study law in China, but a nudge from my parents and a memorable professor at Swansea University changed everything. My family owned a theatre company. At Swansea, Professor Beale introduced me to intellectual property trading platforms, sparking an idea: I could expand the company’s repertoire. Inspired, I secured licences to adapt over 20 Western productions, including Agatha Christie classics, for Chinese audiences. This sparked a trend; and more Chinese theatres began introducing Western plays and musicals. Captivated by these stories, audiences even travelled to London to see the originals. My journey felt like a practical contribution to cultural understanding between China and the UK. Western plays resonate well with Chinese audiences. Detective stories hold a special place. Although rooted in specific cultures, great plays like Shakespeare’s and Tang Xianzu’s transcend borders due to their universal themes and timeless human experiences.

THERE HAVE BEEN CHALLENGES; THE BIGGEST ONE IS ALWAYS TRANSLATION. IT MUST BE FAITHFUL, CLEAR, AND ELEGANT, CAPTURING THE AUTHOR’S INTENT WHILE CONNECTING WITH A NEW AUDIENCE.

Read the full interview on our website at swan.ac/renxiaozhang

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Beyond the challenges, intercultural collaboration offers immense opportunities. Working with diverse artists brings fresh perspectives, and productions that resonate with multiple cultures can reach a wider audience. Sharing cultural insights fosters understanding. During my studies, I shared experiences through social media and participated in alumni activities. Now, back in China, friends and I gather to explore UK culture and career opportunities. Swansea University had a huge impact on my journey and its unique location in Wales played a big role in my experience. What began as a geographical term became a land of beauty, with its own language, passionate football team, rich history, stunning landscapes, and the legacy of Dylan Thomas. My passion for Wales even led to a Welsh football fan club in China – a testament to the power of cultural exchange. In a world of uncertainties, understanding other cultures brightens the path. I encourage younger friends to embrace diverse experiences, and I’m happy to share tips on navigating UK studies and internships.

RENXIAO

(RICHARD)

ZHANG VICE PRESIDENT, SHANGHAI MODERN THEATRE LLM, INTERNATIONAL, COMMERCIAL AND MARITIME LAW

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ALUMNI ELIN RHYS FOUNDER, TELESGOP BSC BIOCHEMISTRY Back in February Pablo Josiah, President of the Students’ Union, invited me, as a member of the University Council, to the Swansea Ethno Gala celebration event. And what a celebration it was! Different cultures from all over the world coming together to enjoy themselves, all in colourful outfits – all celebrating our cultural differences. This took me back to my days as a student at Swansea University in the seventies and reminded me of why this university is such a special place. I remember like yesterday being part of organising Swansea University’s Welsh Society team to compete in the Intercollege Eisteddfod at Aberystwyth University. At that time, Welsh speakers tended to flock to Aberystwyth and Bangor Universities – as many subjects could be studied through the medium of Welsh at those Universities. So, the Swansea Gym-Gym always came last in the Eisteddfod competitions, and we felt a bit out of place with the bards and the singers! So, we decided to try and do something about it.

I had a friend in Gilbertson Hall, the boys’ hall adjacent to Clyne Gardens. Rehman Rashid was an unrivalled singer - and played the guitar in his own unique style. He was from Kuala Lumpur, Malaysia. We’d often meet in my room to sing together – and he always showed a respect and interest for Welsh music. I suggested that maybe including him in the line-up would be an idea – singing a song of his own composition. He agreed to participate and raised the roof! And then we discovered a singing group from Chile who also offered to help us - wearing their traditional dress and singing in perfect harmony. Saturday night of the Eisteddfod is the legendary Noson Lawen competition. Each university providing entertainment for a quarter of an hour and competing for the coveted title of best Noson Lawen. The Swansea University team arrived on the stage with the talented Ieuan Thomas from Pwll taking the lead. We had a few items from us Welsh, a pop group called Be Nesa (What Next!), and traditional folk dancers. But there with us on stage were Chile and Malaysia! For the first time ever Swansea University won the Noson Lawen competition! There was no end to the celebrations. Rehman Rashid became a famous writer in his country. But sadly, he passed away at the age of 62 in 2017. A huge loss. The lesson I learned at the Inter-college Eisteddfod that year was that combining talent, and collaborating across countries with completely different cultures is valuable and can create miracles. This all came back to me on the night of the Swansea Ethno Gala; it’s so good to know that the University still celebrates diversity and supports different cultures. I’ve been running a TV and radio company here in Wales for over 30 years now. The office is in Bay Studios, opposite the new campus. We’re a company that tries to showcase Welsh art as much as we can. It is very difficult to get programmes on the British network to show Welsh culture. But broadcasting from the Young Farmers’ Eisteddfod, and the Cerdd Dant Festival is important to us. Our main series, Ffermio, reflects rural life and agriculture. And the Welsh countryside is key to the prosperity of our nation’s culture. But science is my main interest. And there’s art in science, too.

Read the full interview on our website at swan.ac/elinrhys

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My latest project is to produce a film about CERN – the largest physics experiment in the world, which celebrates its 70th anniversary this year. Swansea University has been very closely associated with CERN right from the start. Eifionydd Jones from the physics department was the first to go there - and work on a Nobel prize-winning project. Another scientist who went to CERN was Lyn Evans – the scientist who designed the Large Hadron Collider. Following him out there was a young physicist who has now become the Head of Beams – Rhodri Jones. Lyn and Rhodri are both alumni and Fellows of Swansea University. But what I love about CERN is not the brilliant science that goes on there - although that is obviously excellent - but the way scientists from countries across the world, from all cultures under the sun, are happily collaborating and sharing their results.

I was there filming recently, and at the dinner table were Muhammad from Hebron in Palestine, Ynyr from Caernarfonshire, Monica from the United States, Livia from Italy and Smaragda from Greece. There is so much for our world’s politicians to learn from CERN staff and structure. 70 years ago, CERN came into being because scientists wanted to work together in the name of peace. After the second world war, and the bombs that fell on Japan, scientists wanted to create a huge experiment where European countries could all work and share the results. Now it’s open to countries outside Europe. Back in the days of the Inter-college Eisteddfod, I learned that we would never win alone. But by bringing other, different cultures together, it was possible to move mountains. The same is true at CERN. I try to be as outward-looking as I can – while also loving Welsh culture, its music, its poetry and its scientists! However, I worry that as a nation we will lose some of the things that are essential to our Welshness. We need to go out into the world to show our talents and to demand a level playing field on English television and radio, and around the world. It is our culture that sustains us. For a short time in the eighties, before going into broadcasting, I worked at the Water Board – and when I left, my boss gave me a gift. Just a plain picture with words on it - “IF YOU KNOW WHERE YOU COME FROM - THERE’S NO LIMIT TO WHERE YOU CAN GO.” Wise words I keep close to my heart to this day.

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ALUMNI CULTURAL

SIAN THOMAS BA AND MA WELSH, CLASS OF 1980. RADIO AND TELEVISION PRESENTER

Richard III at the RSC at Stratford upon Avon directed by Sam Mendes, and Chekhov’s The Seagull at the Bristol Old Vic. In 1996, she starred in Hillsborough, the powerful drama about the Hillsborough Annabelle who was awarded an honorary degree in 2019 said: “Swansea connected me to the raw beauty of nature, as well as to higher education, and to a friendly society of people. It was a place where I could find my feet and grow up a little. I am forever grateful for that opportunity.” NICHOLAS JONES BA POLITICS, CLASS OF 1990. ROCKSTAR disaster when 96 football supporters lost their lives. Culture composer: Nicky is the lyricist and bassist with the rock band Manic Street Preachers. The band formed in 1986 and went on to achieve critical and commercial success. Over the years they have won eleven NME awards, eight Q awards, four BRIT awards and have been nominated for the Mercury Music prize in 1996 and 1999. He said: “My politics degree had a big influence on my lyrics. It gave me a point of reference and a point of analysis for my writing.”

PATRICIA KINANE, OBE BA ENGLISH AND DRAMA, CLASS OF 1974. TV EXECUTIVE

Culture creator: Sian was the first female presenter on S4C. She said: “Being there at the beginning of S4C was unforgettable. There had been so much struggle and sacrifice behind establishing S4C, and I was keen to do my best to ensure its success. I was one of the channel’s first three presenters, and the youngest… It is a privilege to share stories, visit people’s homes, and tell their story. It has also meant that I’ve had the opportunity to travel the world and film in many different countries.” ANNABELLE APSION BA DRAMA

Culture trailblazer: In the world of television there aren’t many shows bigger than America’s Got Talent and American Idol. Trish Kinane has been responsible for bringing them to our screens and selling show formats worldwide. She said: “I joined Freemantle Media as President of Worldwide Entertainment, which I did for a year before I was asked to go to the USA to run The X Factor, America’s Got Talent and American Idol. The shows have longevity due to the simple formats where talented people, through the process of taking part in the shows, can change their lives. In the case of the music shows, kids are turning 15 every year and so can enter, and music changes constantly so the shows are refreshed.”

AND ENGLISH, CLASS OF 1984. ACTRESS

Culture maker: Starting her career with title roles in Shared Theatre Groups’ productions, such as The Bacchae, Heartbreak House, and Anna Karenina, Annabelle went on to perform in Shakespeare’s

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NIA PARRY BA SPANISH AND WELSH, CLASS OF 1996. BROADCASTER

Culture changer: Merthyr-born Jonny Owen is a BAFTA Cymru winning producer, actor, and writer, and was awarded an honorary doctorate in Swansea in 2023. He has recently founded Day Fever, a series of daytime clubbing events. A BBC investigation found that more than half of all UK clubs shut down between 2005 and 2015 and Jonny wants to show that some people still want to dance and party, just a bit earlier than they used to. He said: “For me now, it’s all about going out on a bit of an all-dayer - and I thought there’s a real market for people with a similar vibe.” RENEE GODFREY BA ANTHROPOLOGY, CLASS OF 2003. FOUNDER OF FREEBORNE MEDIA Culture chronicler: As well as being the place that Renee could hone her champion surfing skills, Swansea University was where Renee made her first anthropological film. Now founder of Freeborne Media, in partnership with James Honeyborne, Blue Planet creator, Renee continues to make films that share important messages across the planet. She said: “I have been lucky enough to travel to some of the most remote places on earth and spend time filming and telling stories. The ‘Blue Planet 2 effect’ has been so powerful and far

reaching, its impact still goes on today with our awareness of plastics and the health of our oceans. Freeborne is now in creative partnership with Netflix, and together, we intend to continue to tell powerful stories in captivating ways.” JAMIE TAGG BA POLITICS AND HISTORY, CLASS OF 2009. OWNER AND MANAGING DIRECTOR OF EAST CREATIVE Cultural champion: Jamie’s business specialises in LGBTQ- friendly events including Mighty Hoopla, a London pop music festival that welcomes 25,000 revellers every Summer. He said: “Little moments can totally change opinions and views for the better; it’s crazy to think that outside only a handful of postcodes in the UK, two people of the same sex holding hands in public is still an act of defiance. Hoopla provides a platform for emerging and established LGBTQ+ artists and performers, as well as delivering a safe and welcoming event for diverse audience and attendees.”

Culture custodian: Nia’s work on cariad@iaith an S4C reality television series in which members of the public, and later, celebrities, attempt to learn the Welsh language, was her dream job combining everything she loved - teaching people a language, presenting and producing. She said: “There are all sorts of challenges facing the Welsh language today…There is a need for language planning, we need to continue with all the great work that is happening across Wales. In the end, passionate and enthusiastic people with extraordinary energy and tenacity and conviction are the ones who have the ability to change things.” JONNY OWEN BA HISTORY, CLASS OF 1999. PRODUCER, ACTOR, FILMMAKER AND FOUNDER OF DAY FEVER

Read the full profiles here: swan.ac/fhssprofiles

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LEGACY

SIAN JAMES,

word in Horace’s Odes which she couldn’t find in the dictionary, hoping that the lecturer, Gwyn Griffiths, who had hearing difficulties, would not notice (he didn’t!); and, hand delivering an assignment to a pyjama-clad Professor Gould at 9.30am on a Saturday morning after missing a deadline. Graduating with a 2:1, Sian went on to become a Latin teacher, teaching to O and A Level between 1972 and 1999. Along with her husband Illian, the last twelve years of her career were in Bermuda at the Bermuda High School for Girls. Whilst there, they found an astute financial advisor based back in Cardiff, who was able to help the couple make sound decisions to ensure their future financial security. Having moved back to the UK in 1999 and returning to Swansea for a Friends of the Egypt Centre lecture in 2002, their lives again changed for the better when they met Egypt Centre curator, Dr Ken Griffin. Between 2003 and 2011, Sian and Illian travelled to Egypt on numerous trips organised by Ken. Remaining firm friends ever since, Sian and Illian have chosen to make an enormously generous donation of £100,000 in their will to the Egypt Centre and are happy for it to be used however Ken deems appropriate.

THE TEACHERS THAT CHANGED MY LIFE: FROM SWANSEA TO BERMUDA TO EGYPT AND BACK AGAIN Although she wasn’t to know it, Miss Green, headmistress at Lewis School for Girls in Ystrad Mynach, set Sian James’s life on a path that she hadn’t imagined for herself. The formidable head recognised Sian’s talent for languages and forced her to attend Latin classes halfway through a term. With the class already thirty pages into their textbooks, and Sian not knowing the difference between an imperative and infinitive, she thought to herself, “This dead language isn’t going to beat me” and worked hard to master it. Her resulting good grades landed her a place at Swansea University to study Latin, from 1968 to 1971, where Sian met a myriad of influential figures including her tutor, Dr. Alan Lloyd, now a professor. Sian and her then roommate (and still close friend), Margaret Parry, were exceptional students, attending every lecture without fail and becoming Head Girl (Sian) and Secretary (Margaret) at Beck Hall in their teacher training year. However, Sian was not averse to a spot of mischief…showing up as the only attendees to a Saturday morning class on Cicero when Swansea was covered in snow, and leaving the absent lecturer a bold note on the blackboard, “We were here but where were you ? ”; dropping her voice when translating one

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