Joel Amit moves o the canvas entirely. His work is hand-cut metal wall sculpture, layered and painted to create dimension. Butter ies, birds, and hearts are recurring forms, but the real focus is how the pieces interact with light and shadow. ey behave more like installations than traditional wall art. Adriana Naveh introduces a di erent surface altogether with her abstract urban landscapes on lacquered aluminum. e material gives the work a re ective, high-gloss nish, and the compositions lean into color and structure rather than gesture. Lenner Gogli’s work, by contrast, so ens things again with oral abstraction that sits between realism and expressive painting. From there, the roster expands into more material- driven work. Neil Loeb uses cast paper to create low-relief pop imagery with a tactile surface. Benda builds layered metal constructions that read as optical, industrial pop. Niso Maman works across marble, bronze, steel, and mixed metals, grounding the gallery with more traditional sculptural weight. Rina Maimon and Marc Lipp bring in a brighter, more graphic pop sensibility, while Ron Agam’s kinetic photographic work adds another conceptual layer. Blue Gallery doesn’t try to dene your taste for you, and that’s part of its strength. It o ers range, material, and perspective, then steps back and lets you decide what resonates. It will leave you with a sharper sense of how art can shape a space, not just visually, but in how it ultimately feels to live with it.
Coastal Pearl Living - INSPIRE 23
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