A STUDY IN PINK MASTERgreen22.04.10 Script

A STUDY IN PINK SHOOTING SCRIPT - GREEN AMENDED 18/04/10

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INT. 221B BAKER STREET/SITTING ROOM - NIGHT 76 The last of the police are leaving. Only Lestrade loiters. Frustrated, disappointed. LESTRADE (To John) Why did he do that? Why did he have to leave? JOHN You know him better than I do. LESTRADE I’ve known him five years, and no I don’t. JOHN Why do you put up with him? LESTRADE Because I’m bloody desperate, that’s why! He says this striding for the door. Hesitates, looks back. The truth this time. LESTRADE Because Sherlock Holmes is a great As he moves to the exit, we bring the Netbook back into the foreground - a big close-up. ‘Updating Location’ - become ‘Location Updated’. Beyond it we can see John moving off to the kitchen, oblivious. A map is appearing on the screen ... CUT TO: 77 Close on Sherlock’s face - satanic, as the street lights flash across it. The taxi is turning into. CUT TO: man. And I think, one day, if we’re very, very lucky he might even be a good one. INT. TAXI - NIGHT INT. COLLEGE BUILDINGS - NIGHT 78 The taxi is slowly to a halt between, rather dilapidated, old buildings. They a look a bit like schools, or colleges - but run down, uncared for. The Taxi Driver springs out, opens the door for Sherlock. Sherlock just sits there, looking at him. SHERLOCK Where are we?

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