Episode One - YELLOW AMENDS - 10/04/12
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PORNOGRAPHER Never better. These halftone copiers have changed the world for us. (beat) We find the right distribution... Rose here’ll be lighting them up in Blackpool. JACKSON
Imagine that, Rose - total strangers - from the North, feasting their eyes on you... ROSE Sarah Bernhardt and I shall be one of a piece. JACKSON ‘Already are, Rose. Which she likes. Threads her arm through his as they walk on. INT. LEMAN STREET - CORRIDORS / CELL - DAY 1/52 REID and THWAITES - stopped outside this closed door. REID Whatever the outcome here, it may be safer for you to remain with us a while, Mr. Thwaites. (beat) Until we find those men. THWAITES - an anguished nod. Then REID raps on the door. The locks turn from within as DRAKE opens up from inside. INT. CELL - LEMAN STREET - DAY 1/53 THWAITES - his head turning toward the cadaver, her modesty protected by a sheet. The ashen confirmation of what he already suspected -- THWAITES Oh Maude. EXT. THE COURTYARD - DAY 1/54 JACKSON and ROSE - turning out into this day-lit courtyard. And a strange space it is too. Flats mocked up to present a different period of antiquity. Mediaeval England; hanging gardens of Babylon; ancient Greece. In the corner - two MEN and a WOMAN smoking, resting glasses of gin on what looks like some kind of LARGE WOODEN CABINET on wheels ( we’ll come back to this ). They nod a hello for JACKSON and ROSE --
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