Episode One - YELLOW AMENDS - 10/04/12
54.
REID (cont'd)
(a wonder in him now) The precise details of our lives caught and re-presented to others.
REID - another thought. Producing now the singed and curled portraits of Donaldson and Maude Thwaites doing extraordinary things to each other. Hands them to JACKSON and DRAKE -- REID (CONT’D) Imagine you could get these to move? To be real? (beat) See the leash... EXT. THE DEN - DAY 1/75 The film. DONALDSON and MAUDE - abstracted images of their sex. A leash placed about her neck... EXT. CREIGHTON HOME - CONTINUOUS 1/76
1/75
1/76
REID (CONT’D)
(to JACKSON) Enough - in a moment of grotesque passion to... And he wrenches with his two hands. Snap. JACKSON A misadventure. REID - this his most urgent anxiety -- REID
And what if that entire moment had been captured by this new camera.
DRAKE - aghast at the idea -- DRAKE
You’d destroy it; as he attempted. REID I don’t agree. Not these men. Creighton is more than a peeper. One look at his darkroom should tell you he’s an - experimentalist, however misguided, a man of science. (the image of DONALDSON) And this man? Corrupt and evil? Absolutely. But in his way - equally progressive. (another beat) If this thing exists - they’d celebrate it.
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